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Theater of the avant-garde, 1890-1950 : a critical anthology /

An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Knopf, Robert (Editor , Autor de introducción, etc.), Listengarten, Julia (Autor de introducción, etc.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven [Connecticut] ; London [England] : Yale University Press, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Theater of the avant-garde, 1890-1950 :  |b a critical anthology /  |c edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten. 
264 1 |a New Haven [Connecticut] ;  |a London [England] :  |b Yale University Press,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (499 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
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505 0 |a Cover; Contents; Editor's Note; Introduction; 1. Franco-Russian Symbolism; Interior (1894); ''The Modern Drama'' (1904); The Wayfarer (1910); ''Against Naturalism in the Theater'' (1902); 2. Pataphysical Theater; King Ubu (1896); ''Theater Questions'' (1897); 3. Intimate Theater/Chamber Drama; The Ghost Sonata (1907); from Zones of the Spirit (1907); 4. Correspondences; The Yellow Sound (1909); ''On Stage Composition'' (1912); 5. Italian Futurism; Feet (1915); Genius and Culture (1915); Detonation (1915); Emilio Settimelli, and Bruno Corra, ''The Futurist Synthetic Theater, 1915'' (1915). 
505 8 |a 6. German ExpressionismThe Beggar (1912); ''Two Superdramas'' (1918); 7. Dada; The Gas Heart (1920); Dada Manifesto, 1918 (1918); 8. The Theater of Pure Form; The Cuttlefish (1922); ''On a New Type of Play'' (1920); 9. French Surrealism; The Mysteries of Love (1927); First Surrealist Manifesto (1924); 10. The Theater of Cruelty; The Spurt of Blood (1925); ''No More Masterpieces'' (1938); 11. Russian Oberiu; Christmas at the Ivanovs' (1938); Aleksandr Vvedensky, and others, ''The Oberiu Manifesto'' (1928); 12. American Dada and Surrealism; Doctor Faustus Lights the Lights (1938). 
505 8 |a ''Plays'' (1934)13. The Theater of the Absurd; The Invasion (1949); ''The Theater of the Absurd'' (1961); General Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. 
520 |a An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play's dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde's enduring influence on the development of modern theater. 
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