|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
EBSCO_ocn905746525 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr ||||||||||| |
008 |
150120t20152015nyua obk 001 0 eng d |
040 |
|
|
|a AZU
|b eng
|e rda
|e pn
|c AZU
|d OCLCO
|d QCL
|d YDXCP
|d OCLCF
|d OCLCQ
|d OCL
|d STBDS
|d BUF
|d CEF
|d OTZ
|d WYU
|d YOU
|d OCLCQ
|d OCLCO
|d OCLCQ
|d TFW
|d OCL
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 899279069
|
020 |
|
|
|a 9780199377091
|q (ebook)
|
020 |
|
|
|a 019937709X
|q (ebook)
|
020 |
|
|
|z 9780199377060
|q (hardback ;
|q alk. paper)
|
020 |
|
|
|z 0199377065
|q (hardback
|q alk. paper)
|
035 |
|
|
|a (OCoLC)905746525
|z (OCoLC)899279069
|
043 |
|
|
|a e-fr---
|
050 |
|
4 |
|a ML3489
|b .B73 2015
|
082 |
0 |
4 |
|a 781.64094409045
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Briggs, Jonathyne,
|d 1970-
|e author.
|
245 |
1 |
0 |
|a Sounds French :
|b globalization, cultural communities and pop music in France, 1958-1980 /
|c Jonathyne Briggs.
|
264 |
|
1 |
|a New York, NY :
|b Oxford University Press,
|c [2015]
|
264 |
|
4 |
|c Ã2015
|
300 |
|
|
|a 1 online resource (xi, 226 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
336 |
|
|
|a still image
|b sti
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references, discography and index.
|
505 |
0 |
|
|a Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization.
|
520 |
8 |
|
|a 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
|
588 |
0 |
|
|a Online resource; title from home page (viewed on January 20, 2015).
|
590 |
|
|
|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
|
650 |
|
0 |
|a Popular music
|z France
|y 1951-1960
|x History and criticism.
|
650 |
|
0 |
|a Popular music
|z France
|y 1961-1970
|x History and criticism.
|
650 |
|
0 |
|a Popular music
|z France
|y 1971-1980
|x History and criticism.
|
650 |
|
0 |
|a Music and globalization.
|
650 |
|
6 |
|a Musique populaire
|z France
|y 1951-1960
|x Histoire et critique.
|
650 |
|
6 |
|a Musique populaire
|z France
|y 1961-1970
|x Histoire et critique.
|
650 |
|
6 |
|a Musique populaire
|z France
|y 1971-1980
|x Histoire et critique.
|
650 |
|
6 |
|a Musique et mondialisation.
|
650 |
|
7 |
|a Music and globalization
|2 fast
|
650 |
|
7 |
|a Popular music
|2 fast
|
651 |
|
7 |
|a France
|2 fast
|
648 |
|
7 |
|a 1951-1980
|2 fast
|
655 |
|
7 |
|a Music criticism and reviews
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a Music criticism and reviews.
|2 lcgft
|
655 |
|
7 |
|a Comptes rendus de musique.
|2 rvmgf
|
776 |
0 |
8 |
|i Print version:
|a Briggs, Jonathyne, 1970-
|t Sounds French.
|d New York, NY : Oxford University Press, [2015]
|z 9780199377060
|w (DLC) 2014016533
|w (OCoLC)879329711
|
856 |
4 |
0 |
|u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=933180
|z Texto completo
|
938 |
|
|
|a Oxford University Press USA
|b OUPR
|n EDZ0001021684
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 11630680
|
994 |
|
|
|a 92
|b IZTAP
|