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Universal principles of art : 100 key concepts for understanding, analyzing, and practicing art /

"A follow-up to Rockport Publishers' best-selling Universal Principles of Design, a new volume will present one hundred principles, fundamental ideas and approaches to making art, that will guide, challenge and inspire any artist to make better, more focused art. Universal Principles of Ar...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Parks, John A., 1952- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Beverly, MA : Rockport Publishers, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Universal principles of art :  |b 100 key concepts for understanding, analyzing, and practicing art /  |c John A. Parks. 
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520 |a "A follow-up to Rockport Publishers' best-selling Universal Principles of Design, a new volume will present one hundred principles, fundamental ideas and approaches to making art, that will guide, challenge and inspire any artist to make better, more focused art. Universal Principles of Art serves as a wealth of prompts, hints, insights and roadmaps that will open a world of possibilities and provide invaluable keys to both understanding art works and generating new ones. Respected artist John A. Parks will explore principles that involve both techniques and concepts in art-making, covering everything from the idea of beauty to glazing techniques to geometric ideas in composition to minimalist ideology. Techniques are simple, direct and easily followed by any artist at any level. This incredibly detailed reference book is the standard for artists, historians, educators, professionals and students who seek to broaden and improve their art expertise"--  |c Provided by publisher 
588 0 |a Print version record. 
505 0 |a Cover -- Title Page -- Contents -- Preface -- Introduction -- 1 Abstraction -- 2 Allegory -- 3 Ambiguity -- 4 Appropriation -- 5 Areas of Competence -- 6 Authenticity and Outsider Art -- 7 Autobiography -- 8 Balance -- 9 Beauty -- 10 Boundaries -- 11 Brush Techniques -- 12 Chance -- 13 Classicism and Renaissance -- 14 Collage and Assemblage -- 15 Color as Light -- 16 Color as Limit -- 17 Color Theory -- 18 Composition -- 19 Conceptual Art -- 20 Consistency of Visual Language -- 21 Craft -- 22 Creativity 
505 8 |a 23 Cross-Cultural Fertilization24 Cubism -- 25 Dada -- 26 Decoration -- 27 Distortion -- 28 Distribution -- 29 Drawing Language -- 30 The Emotive Object -- 31 Erotic Art -- 32 Expression in the Abstract -- 33 Fantasy and Visionary Art -- 34 Finish -- 35 Formal Innovation -- 36 Form Rendered -- 37 Gender -- 38 Harmony -- 39 Hierarchical Proportion -- 40 Imagination -- 41 Installation -- 42 Intentionality -- 43 Interactive Art -- 44 Juxtaposition -- 45 Kinetic Art -- 46 Land Art -- 47 Layers -- 48 Linear Basics -- 49 Mannerism 
505 8 |a 50 Mass51 Materials as Art -- 52 Minimalism -- 53 Mixed Media and Multimedia -- 54 Motif -- 55 Movement -- 56 Narrative -- 57 Op Art -- 58 Overload -- 59 Performance Art -- 60 Perspective -- 61 Plasticity -- 62 Politics and Polemics -- 63 Prepare and Develop -- 64 Printmaking -- 65 Process as Meaning -- 66 Proportion and Ratio -- 67 Quality -- 68 Quoting -- 69 Readymades -- 70 Realism -- 71 Religiosity -- 72 Repetition -- 73 Representation -- 74 Restraint -- 75 Rhythm -- 76 Romanticism -- 77 Scale -- 78 Semiotics 
505 8 |a ""79 Semiotics 2: Deconstruction""""80 Sensitivity and Sensibility""; ""81 Shape""; ""82 Shock""; ""83 Simplification""; ""84 Space and Volume""; ""85 Spectacle""; ""86 Style and Stylishness""; ""87 Successive Approximation""; ""88 Sufficiency of Means""; ""89 Surrealism""; ""90 Symbols""; ""91 Symmetry""; ""92 Temporary Art""; ""93 Texture""; ""94 Theme""; ""95 Tone as Structure""; ""96 Touch Communicates""; ""97 Tribal Art""; ""98 Trompe lâ€?Oeil""; ""99 Underpainting""; ""100 Video Art""; ""Credits""; ""About the Author""; ""Acknowledgments"" 
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