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Chronotopes of the uncanny : time and space in postmodern New York novels : Paul Auster's "City of Glass" and Toni Morrison's "Jazz" /

Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of "the uncanny" into their novelistic discourses. The two texts under scrutiny - Paul Auster's "City of...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Eckhard, Petra (Autor, Editor )
Otros Autores: Röckenhaus, Kordula (Diseñador de portada)
Formato: Electrónico eBook
Idioma:Alemán
Publicado: Bielefeld, Germany : Transcript, 2011.
Colección:Lettre (Transcript (Firm))
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover Chronotopes of the Uncanny; Contents; Acknowledgements; Introduction; PART ONE: ORIENTATIONS; The Uncanny: Towards a Definition; Freud; Todorov; Chronotopoetics; Schlosszeit; Stadtzeit; PART TWO: CHRONOTOPES OF THE UNCANNY; Uncanny Architextures: Paul Auster's City of Glass; The Labyrinthine Subject; Uncanny Verticality; Ghostly Glass; Rhetoric and Ruins; Quinn's Camera Obscura; The Uncanny Comic; Haunted Harlem: Toni Morrison's Jazz; Rural Pasts, Urban Presents; Jazz Space; Memory Tracks and Sidewalk Cracks; Black Interiors; The Uncanny Voice; Conclusion; Works Cited. 
520 |a Using the theoretical frameworks of Freud, Todorov, and Bahktin, this book explores how American writers of the late 20th century have translated the psychoanalytical concept of "the uncanny" into their novelistic discourses. The two texts under scrutiny - Paul Auster's "City of Glass" and Toni Morrison's "Jazz"--Show that the uncanny has developed into a crucial trope to delineate personal and collective fears that are often grounded on the postmodern disruption of spatio-temporal continuities and coherences. 
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