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Plotting gothic /
"A historian of medieval art and architecture with a rich appreciation of literary studies, Stephen Murray brings all those fields to bear on a new approach to understanding the great Gothic churches of the twelfth and thirteenth centuries. Plotting Gothic positions the rhetoric of the Gothic a...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Three eyewitnesses of Gothic. Villard de Honnecourt: ymagier and interlocutor ; Possessing Villard ; The role of the interlocutor in the Villard enterprise ; Animating the artifact ; Animating the beholder ; Controlling the artifact ; Conclusion: deceit and desire in the Villard enterprise ; Gervase of Canterbury: cronicus and logistics man ; Storytelling ; Mnemonics: remembering the old ; The means of production: controlling the new ; Old and new reconciled ; Apocryphal storytelling: a building that "speaks" ; Conclusion: signs, miracles, and illusionism ; Suger, abbot of S-Denis, and the rhetoric of persuasion: manipulating reality and producing meaning ; Rhetorical structure of de consecratione: manipulated dialectic ; Production of the text: from oral to written ; Making connections ; Production of the new church, production of salvation ; Apocryphal stories ; Conclusion: the abbot who spoke the building
- Staking out the plot. Interlocutor and monument ; Material contexts: the means of production ; How on earth did they do that? ; Economic means ; Reading the signs: construction history ; The production of meaning ; Similitude to nature; local roots ; Similitude to other buildings ; Modernism and reason ; An image of heaven ; Conclusion
- Animating the plot. Picturing the three agents of construction ; The cathedral as object of desire ; Triangulating desire ; The gap between vision and realization ; Compression and expansion: plotting ; My desire ; Conclusion: Gothic plots' synchronic, diachronic, and spatial.