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Romani routes : cultural politics and Balkan music in diaspora /

Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stre...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Silverman, Carol (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Oxford University Press, [c 2012]
Colección:American musicspheres.
Temas:
Acceso en línea:Texto completo

MARC

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300 |a 1 online resource (xxvii, 398 pages) :  |b illustrations 
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504 |a Includes bibliographical references (pages 335-364) and index. 
505 0 |a Introduction: Balkan Roma : history, politics, and performance ; Musical styles and genres ; Dilemmas of diaspora, hybridity, and identity -- Music in diasporic homes: Transnational families ; Transnational celebrations ; Transnational dance -- Music, states, and markets: Dilemmas of heritage and the Bulgarian socialist state ; Cultural politics of postsocialist markets and festivals ; Bulgarian pop/folk : chalga -- Musicians in transit: Esma Redžepova : "Queen of Gypsy music" ; Yuri Yunakov : saxophonist, refugee, citizen ; Romani music as world music ; Collaboration, appropriation, and transnational flows. 
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520 8 |a Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities--adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives 
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