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The cinema of sensations /

Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacq...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Pethő, Ágnes (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The cinema of sensations /  |c edited by Ágnes Pethő. 
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520 |a Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, ""multisensory milieu, "" another conference was organised, focusing this time directly on the ""multisensory"" nature of moving images. Pairing the k. 
504 |a Includes bibliographical references at the end of each chapters. 
505 0 |a pt. I Perception, Body and Mind -- Thinking like a Carpet: Embodied Perception and Individuation in Algorithmic Media / Laura U. Marks -- Seeing to Believe -- Sensing to Know: From Film Form to Perceptual Environment / Yvonne Spielmann -- Learning and Re-learning Haptic Visuality / Laszlo Tarnay -- Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnes Varda's La Pointe Courte (1954) / Francesca Minnie Hardy -- Haptic Vision and the Experience of Difference in Agnes Varda's Les Glaneurs et la glaneuse (2000) / Romain Chareyron -- Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings / Daniel Fernandez Pitarch -- Unsettling Melodies: A Cognitive Approach to Incongruent Film Music / Miklos Kiss -- pt. II Embodiment, Art and Media -- Of Artists and Models: Italian Silent Cinema between Narrative Convention and Artistic Practice / Ivo Blom. 
505 8 |a The Body as Interstitial Space between Media in Lecons de Tenebres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero / Marlene Monteiro -- "Housing" a Deleuzian "Sensation:" Notes on the Post-Cinematic Tableaux Vivants of Lech Majewski, Sharunas Bartas and Ihor Podolchak / Agnes Petho -- The Alienated Body, Smell, Touch and Oculocentrism in Contemporary Hungarian Cinema / Hajnal Kiraly -- Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing / Elene Tremblay -- Visuality and Narration in Monsters, Inc. / Jens Schroter -- Crows vs. Avatar, or: 3D vs. Total-Dimension Immersion / Jose Manuel B. Martins -- pt. III Sensation of Time, Reality and Fantasy -- Affective Realism and the Brand New Brazilian Cinema / Ramayana Lira -- The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study / Fernando Canet. 
505 8 |a The Sensation of Time in Ingmar Bergman's Poetics of Bodies and Minds / Fabio Pezzetti Tonion -- Own Deaths: Figures of the Sensable in Peter Nadas's Book and Peter Forgacs's Film / Katalin Sandor -- Remediating Past Images: The Temporality of "Found Footage" in Gabor Body's American Torso / Judit Pieldner -- Embodied Genetics in Science-Fiction: From Jeunet's Alien: Resurrection (1997) to Piccinini's Workshop (2011) / Andrea Virginas. 
546 |a English. 
590 |a eBooks on EBSCOhost  |b EBSCO eBook Subscription Academic Collection - Worldwide 
650 0 |a Senses and sensation in motion pictures. 
650 0 |a Motion pictures  |x Social aspects. 
650 6 |a Sens et sensations au cinéma. 
650 6 |a Cinéma  |x Aspect social. 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Film theory & criticism.  |2 bicssc 
650 7 |a Film: styles & genres.  |2 bicssc 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Motion pictures  |x Social aspects  |2 fast 
650 7 |a Senses and sensation in motion pictures  |2 fast 
700 1 |a Pethő, Ágnes,  |e editor. 
776 0 8 |i Print version:  |a Pethő, Ágnes.  |t Cinema of Sensations.  |d Newcastle upon Tyne : Cambridge Scholars Publishing, ©1900  |z 9781443868839 
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