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|a The cinema of sensations /
|c edited by Ágnes Pethő.
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|a Newcastle upon Tyne, UK :
|b Cambridge Scholars Publishing,
|c 2015.
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|a 1 online resource
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|a Vendor-supplied metadata.
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|a Following a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, ""multisensory milieu, "" another conference was organised, focusing this time directly on the ""multisensory"" nature of moving images. Pairing the k.
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|a Includes bibliographical references at the end of each chapters.
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|a pt. I Perception, Body and Mind -- Thinking like a Carpet: Embodied Perception and Individuation in Algorithmic Media / Laura U. Marks -- Seeing to Believe -- Sensing to Know: From Film Form to Perceptual Environment / Yvonne Spielmann -- Learning and Re-learning Haptic Visuality / Laszlo Tarnay -- Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnes Varda's La Pointe Courte (1954) / Francesca Minnie Hardy -- Haptic Vision and the Experience of Difference in Agnes Varda's Les Glaneurs et la glaneuse (2000) / Romain Chareyron -- Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings / Daniel Fernandez Pitarch -- Unsettling Melodies: A Cognitive Approach to Incongruent Film Music / Miklos Kiss -- pt. II Embodiment, Art and Media -- Of Artists and Models: Italian Silent Cinema between Narrative Convention and Artistic Practice / Ivo Blom.
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|a The Body as Interstitial Space between Media in Lecons de Tenebres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero / Marlene Monteiro -- "Housing" a Deleuzian "Sensation:" Notes on the Post-Cinematic Tableaux Vivants of Lech Majewski, Sharunas Bartas and Ihor Podolchak / Agnes Petho -- The Alienated Body, Smell, Touch and Oculocentrism in Contemporary Hungarian Cinema / Hajnal Kiraly -- Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing / Elene Tremblay -- Visuality and Narration in Monsters, Inc. / Jens Schroter -- Crows vs. Avatar, or: 3D vs. Total-Dimension Immersion / Jose Manuel B. Martins -- pt. III Sensation of Time, Reality and Fantasy -- Affective Realism and the Brand New Brazilian Cinema / Ramayana Lira -- The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study / Fernando Canet.
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|a The Sensation of Time in Ingmar Bergman's Poetics of Bodies and Minds / Fabio Pezzetti Tonion -- Own Deaths: Figures of the Sensable in Peter Nadas's Book and Peter Forgacs's Film / Katalin Sandor -- Remediating Past Images: The Temporality of "Found Footage" in Gabor Body's American Torso / Judit Pieldner -- Embodied Genetics in Science-Fiction: From Jeunet's Alien: Resurrection (1997) to Piccinini's Workshop (2011) / Andrea Virginas.
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|a English.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Senses and sensation in motion pictures.
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650 |
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|a Motion pictures
|x Social aspects.
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|a Sens et sensations au cinéma.
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|a Cinéma
|x Aspect social.
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650 |
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|a Films, cinema.
|2 bicssc
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|a Film theory & criticism.
|2 bicssc
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|a Film: styles & genres.
|2 bicssc
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Motion pictures
|x Social aspects
|2 fast
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|a Senses and sensation in motion pictures
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|a Pethő, Ágnes,
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|i Print version:
|a Pethő, Ágnes.
|t Cinema of Sensations.
|d Newcastle upon Tyne : Cambridge Scholars Publishing, ©1900
|z 9781443868839
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