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Emotion in action : Thucydides and the tragic chorus /

Emotion in action: Thycydides and the tragic chorus' offers a new approach to the tragic chorus by examining how certain choruses 'act' on their shared feelings. Eirene Visvardi redefines choral action, analyzes choruses that enact fear and pity, and juxtaposes them to the Athenian de...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Visvardi, Eirene (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, 2015.
Colección:Mnemosyne, bibliotheca classica Batava. Supplementum ; v. 377.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Mnemosyne supplements ;  |v volume 377 
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505 0 0 |g 1  |t Choral Emotions and Collective Passions: Questions and Approaches, Old and New  |g 1 --  |g 1  |t Introduction  |g 1 --  |g 2  |t Preliminaries: Assumptions and Questions  |g 2 --  |g 3  |t Aristotle and the (Tragic) Emotions: Uses and Limitations  |g 6 --  |g 4  |t Collectively Dancing the Emotions  |g 19 --  |g 4.1  |t The Tragic Chorus  |g 19 --  |g 4.2  |t Rethinking Choral Action(s)  |g 30 --  |g 4.3  |t On Methodology  |g 32 --  |g 5  |t Collective Emotion Outside the Theater: Thucydides' History  |g 34 --  |g 6  |t Civilizing the Passions? Theorizing Emotion in Action  |g 37 --  |g 2  |t Contextualizing Choral Emotions: Thucydides and Collective Psychology  |g 44 --  |g 1  |t Preliminaries: 'Feeling Together' in Thucydides  |g 44 --  |g 2  |t Collective Emotion within the City-State  |g 49 --  |g 2.1  |t Ideal Emotion in Athenian Democracy: the Citizen-Lover  |g 49 --  |g 2.2  |t Unideal Emotions within the State: The Plague  |g 52 --  |g 2.3  |t Pericles and the Emotions of the Demos: Phobos, Orgê, and Gnômê  |g 56 --  |g 2.4  |t The Emotions of Stasis: The Oligarchic Coup in Athens  |g 62 --  |g 2.5  |t The Quintessential Emotions of Stasis: Corcyra  |g 64 --  |g 2.6  |t Reason, Passion, and Human Nature  |g 68 --  |g 3  |t Collective Emotion and Interstate Relations  |g 72 --  |g 3.1  |t The Case of Mytilene  |g 73 --  |g 3.2  |t The Sicilian Expedition  |g 84 --  |g 4  |t Closing Thoughts: Collective Emotion-Potential and Shortcomings  |g 91 --  |g 3  |t Emotion in Aeschylus' Active Choruses  |g 94 --  |g 1  |t Defining Active Choruses  |g 94 --  |g 2  |t Aeschylus, Eumenides  |g 98 --  |g 3  |t Aeschylus, Supplices  |g 120 --  |g 4  |t Aeschylus, Seven Against Thebes  |g 147 --  |g 4  |t Enacting Choral Emotion: Sophocles and Euripides  |g 179 --  |g 1  |t Defining Enactment  |g 179 --  |g 2  |t Sophocles, Philoctetes  |g 180 --  |g 3  |t Euripides, Bacchae  |g 213. 
520 8 |a Emotion in action: Thycydides and the tragic chorus' offers a new approach to the tragic chorus by examining how certain choruses 'act' on their shared feelings. Eirene Visvardi redefines choral action, analyzes choruses that enact fear and pity, and juxtaposes them to the Athenian dêmos in Thucydides' History. Considered together, these texts undermine the sharp divide between emotion and reason and address a preoccupation that emerges as central in Athenian life: how to channel the motivational power of collective emotion into judicious action and render it conducive to cohesion and collective prosperity. Through their performance of emotion, tragic choruses raise the question of which collective voices deserve a hearing in the institutions of the polis and suggest diverse ways to envision passionate judgment and action. 
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