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Looking through Freud's photos /

A moody Freud posed against a background of holiday pictures pinned to a wall; or lurking at the very edge of a large family group; or lost in a crowd of nineteenth-century scientists. These snapshots or posed portraits not only tell stories, they also carry a specific emotional charge. The earlier...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Molnar, Michael (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London, England : Karnac, 2015.
Colección:History of psychoanalysis series.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Looking through Freud's photos /  |c Michael Molnar. 
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300 |a 1 online resource (234 pages) :  |b illustrations, photographs 
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490 1 |a History of Psychoanalysis Series 
504 |a Includes bibliographical references and index. 
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505 0 0 |t Chapter One At the historic corner window: 17.6.1897 /  |r Michael Molnar --  |t chapter Two Trottoir roulant, 1900 /  |r Michael Molnar --  |t chapter Three " ... such a difficult task as our marriage ..." /  |r Michael Molnar --  |t chapter Four Mysteries of nature /  |r Michael Molnar --  |t chapter Five Freud & Co. /  |r Michael Molnar --  |t chapter Six Portrait of an alien enemy /  |r Michael Molnar --  |t chapter Seven "I'm staying there" /  |r Michael Molnar --  |t chapter Eight " ... the child should know ..." /  |r Michael Molnar --  |t chapter Nine Portrait of a refugee /  |r Michael Molnar --  |t chapter Ten Her critical eye /  |r Michael Molnar. 
520 3 |a A moody Freud posed against a background of holiday pictures pinned to a wall; or lurking at the very edge of a large family group; or lost in a crowd of nineteenth-century scientists. These snapshots or posed portraits not only tell stories, they also carry a specific emotional charge. The earlier essays in this book follow traces of Freud's early years through the evidence of such album photographs; the later essays use them to reconstruct the stories of various family members. An unknown photo of his half-brother Emanuel initiates an investigation into the Manchester Freuds. An identity photo of his daughter Anna, and the document to which it is attached, throw light on the critical final days of her trip to England in 1914. A faded idyllic print of children playing evolves into a discussion of Ernst Freud's luck and childhood. The suicide of Anna's artist cousin, Tom Seidmann Freud, emerges from a snap of her infant daughter Angela. 
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