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Performing citizenship in Plato's laws /

"In the Laws, Plato theorizes citizenship as simultaneously a political, ethical, and aesthetic practice. His reflection on citizenship finds its roots in a descriptive psychology of human experience, with sentience and, above all, volition seen as the primary targets of a lifelong training in...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Prauscello, L. (Lucia) (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge ; New York : Cambridge University Press, 2014.
Colección:Cambridge classical studies.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Performing citizenship in Plato's laws /  |c Lucia Prauscello. 
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520 |a "In the Laws, Plato theorizes citizenship as simultaneously a political, ethical, and aesthetic practice. His reflection on citizenship finds its roots in a descriptive psychology of human experience, with sentience and, above all, volition seen as the primary targets of a lifelong training in the values of citizenship. In the city of Magnesia described in the Laws erôs for civic virtue is presented as a motivational resource not only within the reach of the 'ordinary' citizen, but also factored by default into its educational system. Supporting a vision of 'perfect citizenship' based on an internalized obedience to the laws, and persuading the entire polity to consent willingly to it, requires an ideology that must be rhetorically all-inclusive. In this city 'ordinary' citizenship itself will be troped as a performative action: Magnesia's choral performances become a fundamental channel for shaping, feeling and communicating a strong sense of civic identity and unity"--  |c Provided by publisher. 
505 0 |a Introduction -- Preliminaries -- Part I. Performing ordinary virtue in Plato's Utopias: citizenship, desire and intention. 1. Citizenship in Callipolis ; 2. Citizenship in Magnesia -- Part II. Citizenship and performance in the Laws. 3. Choral performances, persuasion and pleasure ; 4. Patterns of chorality in Magnesia ; 5. Comedy and comic discourse in Magnesia ; 6. Epilogue: on law, agency and motivation. 
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