Opera North : historical and dramaturgical perspectives on opera studies /

Mostrar otras versiones (1)

Annotation

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McKechnie, Kara (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bingley, UK : Emerald, 2014.
Edición:First edition.
Temas:
Opera North.
Opera > Production and direction > England > Leeds.
Opera > Dramaturgy.
Opéra > Production et mise en scène > Angleterre > Leeds (West Yorkshire)
Opéra > Dramaturgie.
MUSIC > Instruction & Study > Voice.
MUSIC > Lyrics.
MUSIC > Printed Music > Vocal.
Opera > Production and direction.
England > Leeds.
Operas.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • ""Cover""; ""Opera North""; ""Copyright page""; ""About the Author""; ""Contents""; ""List of Illustrations""; ""Acknowledgements""; ""Foreword""; ""Foreword""; ""Introduction: Studying an Opera Company""; ""Research Sources""; ""Approaches to Studying Opera""; ""The Evolution of a Production""; ""References""; ""Perspective 1 Opera North â€? A History from Many Sources""; ""The UK Operatic Landscape in the 20th Century""; ""The Mother company: ENO""; ""Touring â€? Origins, Reasons, History""; ""The Beginnings of ENON""; ""Tug of War: 1975â€?1978""; ""Setting up the company""
  • ""The First Seasons""""1978/1979""; ""1979/1980""; ""1980/1981""; ""Period of Assertion 1981â€?1993""; ""1981/1982""; ""1982/1983""; ""1983/1984""; ""1984/1985""; ""1985/1986""; ""1986/1987""; ""1987/1988""; ""1988/1989""; ""1989/1990""; ""1990/1991""; ""1991/1992""; ""1992/1993""; ""1993/1994""; ""1994/1995""; ""1995/1996""; ""1996/1997""; ""1997/1998""; ""1998/1999""; ""1999/2000""; ""2000/2001""; ""2001/2002""; ""2002/2003""; ""2003/2004""; ""2004/2005""; ""Transformation and Stability""; ""2005/2006""; ""2006/2007""; ""2007/2008""; ""2008/2009""; ""2009/2010""; ""2010/2011""
  • ""2011/2012""""2012/2013""; ""References""; ""Perspective 2 Ethnographies â€? Opera Northâ€?s Productions in Rehearsal""; ""The company at Home and Its Spaces""; ""Performing the company: Internal and Externally Facing""; ""Rehearsals: Fragmented and Progressive Theatrical Encounters""; ""Introductions 1: First Full Cast Music Rehearsal â€? Das Rheingold, 16 May 2011""; ""Introductions 2: The Model Showing""; ""The Rehearsal Room: From Blocking to Running""; ""A Note about the Use of Period and Puppetry in This Production""
  • First Rehearsal, 16 August 2012, Donna Anna, Don Giovanni, Leporello, I, 1Afternoon Session, 16 August 2012, Don Giovanni, Commendatore, Leporello, I, 1
  • Afternoon Call, 17 August 2012, Recitative and Duet Donna Anna and Don Ottavio, I, 2
  • After the Tea Break: Giovanni and Leporello, I, 3
  • Morning Call, 21 August 2012, Chorus, Giovanni, Leporello, Zerlina, Masetto, I, 5
  • Afternoon Call, 22 August 2012, Anna, Ottavio, Elvira, Giovanni, Quartet I, 9
  • Afternoon Call, 23 August 2012, Don Ottavio, Aria: Dalla sua pace, I, 10a
  • ""Don Giovanni: Aria, Fin châ€?han dal vino, I, 11""""Afternoon Call, 28 August 2012, Zerlina, Masetto, Chorus Ladies â€? â€?Batti, battiâ€? (Aria Zerlina), I, 12""; ""Morning Call, 29 August 2012, Whole Cast (Except Commendatore), Finale Act 1""; ""Morning Call, 30 August 2012, Ensemble (Except Commendatore), Finale, I, 13""; ""Morning Call, 4 September 2012, Giovanni, Masetto â€? Recitative, II, 17""; ""Morning Call, 5 September 2012, All Soloists (Except Commendatore), Sextet, II, 18""; ""Afternoon Call, 6 September 2012, Don Giovanni, Leporello, II, 24""; ""The Rehearsal Room Run""

Ejemplares similares