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Opera North : historical and dramaturgical perspectives on opera studies /

Annotation

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McKechnie, Kara (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bingley, UK : Emerald, 2014.
Edición:First edition.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Opera North :  |b historical and dramaturgical perspectives on opera studies /  |c by Kara McKechnie. 
250 |a First edition. 
264 1 |a Bingley, UK :  |b Emerald,  |c 2014. 
300 |a 1 online resource (xxvi, 460 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
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520 8 |a Annotation  |b This illustrated study is a resource for opera scholars, opera workers and opera lovers. It explores the field of opera studies in three ways:* Through history: Opera North is presented through a historical lens within the UK operatic landscape. The chapter amalgamates extensive archival resources and interview material, including many illustrations from its 35 year history.* Through ethnography: the day-to-day workplace behaviour of an opera company is explored in its rehearsal and performance spaces, and the production cycle from first music rehearsal to first night is traced through detailed observation and photographic records.* Through production analysis: selected productions of recent years are given a dramaturgical focus, with aspects of conceptual, textual and visual analysis. Opera North was founded as English National Opera North in 1978. It became independent from English National Opera in 1981 and holds a reputation for fostering artistic talent, for adventurous programming choices and for high production values. This study explores universal issues relating to the production of opera, based on the very specific example of our National Opera Company in the North. 
505 0 |a ""Cover""; ""Opera North""; ""Copyright page""; ""About the Author""; ""Contents""; ""List of Illustrations""; ""Acknowledgements""; ""Foreword""; ""Foreword""; ""Introduction: Studying an Opera Company""; ""Research Sources""; ""Approaches to Studying Opera""; ""The Evolution of a Production""; ""References""; ""Perspective 1 Opera North â€? A History from Many Sources""; ""The UK Operatic Landscape in the 20th Century""; ""The Mother company: ENO""; ""Touring â€? Origins, Reasons, History""; ""The Beginnings of ENON""; ""Tug of War: 1975â€?1978""; ""Setting up the company"" 
505 8 |a ""The First Seasons""""1978/1979""; ""1979/1980""; ""1980/1981""; ""Period of Assertion 1981â€?1993""; ""1981/1982""; ""1982/1983""; ""1983/1984""; ""1984/1985""; ""1985/1986""; ""1986/1987""; ""1987/1988""; ""1988/1989""; ""1989/1990""; ""1990/1991""; ""1991/1992""; ""1992/1993""; ""1993/1994""; ""1994/1995""; ""1995/1996""; ""1996/1997""; ""1997/1998""; ""1998/1999""; ""1999/2000""; ""2000/2001""; ""2001/2002""; ""2002/2003""; ""2003/2004""; ""2004/2005""; ""Transformation and Stability""; ""2005/2006""; ""2006/2007""; ""2007/2008""; ""2008/2009""; ""2009/2010""; ""2010/2011"" 
505 8 |a ""2011/2012""""2012/2013""; ""References""; ""Perspective 2 Ethnographies â€? Opera Northâ€?s Productions in Rehearsal""; ""The company at Home and Its Spaces""; ""Performing the company: Internal and Externally Facing""; ""Rehearsals: Fragmented and Progressive Theatrical Encounters""; ""Introductions 1: First Full Cast Music Rehearsal â€? Das Rheingold, 16 May 2011""; ""Introductions 2: The Model Showing""; ""The Rehearsal Room: From Blocking to Running""; ""A Note about the Use of Period and Puppetry in This Production"" 
505 8 |a First Rehearsal, 16 August 2012, Donna Anna, Don Giovanni, Leporello, I, 1Afternoon Session, 16 August 2012, Don Giovanni, Commendatore, Leporello, I, 1 -- Afternoon Call, 17 August 2012, Recitative and Duet Donna Anna and Don Ottavio, I, 2 -- After the Tea Break: Giovanni and Leporello, I, 3 -- Morning Call, 21 August 2012, Chorus, Giovanni, Leporello, Zerlina, Masetto, I, 5 -- Afternoon Call, 22 August 2012, Anna, Ottavio, Elvira, Giovanni, Quartet I, 9 -- Afternoon Call, 23 August 2012, Don Ottavio, Aria: Dalla sua pace, I, 10a 
505 8 |a ""Don Giovanni: Aria, Fin châ€?han dal vino, I, 11""""Afternoon Call, 28 August 2012, Zerlina, Masetto, Chorus Ladies â€? â€?Batti, battiâ€? (Aria Zerlina), I, 12""; ""Morning Call, 29 August 2012, Whole Cast (Except Commendatore), Finale Act 1""; ""Morning Call, 30 August 2012, Ensemble (Except Commendatore), Finale, I, 13""; ""Morning Call, 4 September 2012, Giovanni, Masetto â€? Recitative, II, 17""; ""Morning Call, 5 September 2012, All Soloists (Except Commendatore), Sextet, II, 18""; ""Afternoon Call, 6 September 2012, Don Giovanni, Leporello, II, 24""; ""The Rehearsal Room Run"" 
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