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Making beats : the art of sample-based hip-hop /
Despite having created one of the most important musical cultures of the last fifty years, hip-hop composers who use digital sampling are rarely taken seriously as artists. But hip-hop deejays and producers have collectively developed an artistic system that features a complex aesthetic, a detailed...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown :
Wesleyan University Press,
[2014]
|
| Colección: | Music/culture.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Schloss, Joseph Glenn, |e author. | |
| 245 | 1 | 0 | |a Making beats : |b the art of sample-based hip-hop / |c Joseph G. Schloss ; with a new afterword ; foreword by Jeff Chang. |
| 264 | 1 | |a Middletown : |b Wesleyan University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a Despite having created one of the most important musical cultures of the last fifty years, hip-hop composers who use digital sampling are rarely taken seriously as artists. But hip-hop deejays and producers have collectively developed an artistic system that features a complex aesthetic, a detailed array of social protocols, a rigorous set of ethical expectations, and a rich historical consciousness. This book explores the goals, methods, and values of this surprisingly insular community. Focusing on a variety of subjects - from hip-hop artists' pedagogical methods to the Afro-diasporic roots of the sampling process to the social significance of "digging" for rare records - the author examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities | ||
| 505 | 0 | |a Introduction -- "It's about Playing Records" : History -- "It Just Doesn't Sound Authentic" : Live Instrumentation versus Hip-Hop Purism -- Materials and Inspiration : Digging in the Crates -- Sampling Ethics -- Elements of Style : Aesthetics of Hip-Hop Composition -- The Outer Circle : From Samplers to Ears -- Conclusions -- New afterword. | |
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| 650 | 0 | |a Rap (Music) |x History and criticism. | |
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| 650 | 0 | |a Turntablism. | |
| 650 | 0 | |a Sound recording executives and producers |z United States. | |
| 650 | 0 | |a Turntablists. | |
| 650 | 6 | |a Hip-hop. | |
| 650 | 6 | |a Platinisme. | |
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| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
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| 700 | 1 | |a Chang, Jeff. | |
| 776 | 0 | 8 | |i Print version: |a Schloss, Joseph G. |t Making Beats : The Art of Sample-Based Hip-Hop. |d Middletown : Wesleyan University Press, ©2014 |z 9780819574817 |
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