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Deleuze and Film : a Feminist Introduction.

In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on D...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Rizzo, Teresa
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London : Bloomsbury Publishing, 2012.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Deleuze and Film :  |b a Feminist Introduction. 
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505 0 |a Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing. 
505 8 |a Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity. 
505 8 |a Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index. 
520 |a In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive. 
504 |a Includes bibliographical references and index. 
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650 0 |a Feminist film criticism. 
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