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The future of post-human visual arts : towards a new theory of techniques and spirits. Volume 2 /

Are the visual arts really so central in our time that, as Doug Adams once said, ""people under 60, raised on television ... remember by what they see ... [F]ilm and television are really the language of today""? (TE 2013) This central view on the visual arts can be contrasted wi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Baofu, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Nova Science Publishers, Inc., [2014]
Colección:Fine arts, music and literature.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The future of post-human visual arts :  |b towards a new theory of techniques and spirits.  |n Volume 2 /  |c by Peter Baofu. 
264 1 |a New York :  |b Nova Science Publishers, Inc.,  |c [2014] 
264 4 |c ©2014 
300 |a 1 online resource (xxvii, pages 260-685) 
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490 1 |a Fine arts, music, and literature 
504 |a Includes bibliographical references (pages 629-646) and index. 
505 0 |a pt. 3. Spirits -- Spirits and their doubleness -- The necessity of spirits -- Spirits and the mind -- Spirits and nature -- Spirits and society -- Spirits and culture -- The contingency of spirits -- pt. 4. Conclusion -- Conclusion-the future of the visual arts -- Beyond techniques and spirits -- In relation to method -- In relation to structure -- In relation to process -- In relation to agency -- In relation to outcome -- Towards the post-human ephemerality --Bibliography -- Index. 
588 0 |a Online resource; title from PDF title page (EBSCO, viewed October 17, 2014). 
520 |a Are the visual arts really so central in our time that, as Doug Adams once said, ""people under 60, raised on television ... remember by what they see ... [F]ilm and television are really the language of today""? (TE 2013) This central view on the visual arts can be contrasted with an opposing view by Camille Paglia, who wrote that ""the visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism. Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has fai 
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