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|a Epstein, Josh,
|d 1981-
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|a Sublime noise :
|b musical culture and the modernist writer /
|c Josh Epstein.
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|a Baltimore :
|b Johns Hopkins University Press,
|c 2014.
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|a 1 online resource
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|a Hopkins studies in modernism
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|a Includes bibliographical references and index.
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|a Orchestrating modernity: musical culture and the arts of noise -- Beating obedient, thinking of the key: Adorno, The Waste Land, and the total wrk of art -- The Antheil era: Ezra Pound's musical sensations -- Joyce's phoneygraphs -- Performing publicity: authenticity, influence, and the sitwellian commedia -- Aristocracy of the dissonant: the sublime noise of Forster and Britten.
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|a Print version record.
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|a Building both on literary cultural studies and work in the 'new musicology, 'Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T.S. Eliot, Edith Sitwell, E.M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism.
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|a English.
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|a Music
|x Philosophy and aesthetics.
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|a Music and literature.
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|a Noise in literature.
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|a Modernism (Music)
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|a Modernism (Literature)
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|a Musique
|x Philosophie et esthétique.
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|a Musique et littérature.
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|a Bruit dans la littérature.
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|a Modernisme (Musique)
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|a Modernisme (Littérature)
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|x Literary.
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|i Print version:
|a Epstein, Josh, 1981-
|t Sublime noise : musical culture and the modernist writer.
|d Baltimore, Maryland : Johns Hopkins University Press, ©2014
|h xxxix, 338 pages
|k Hopkins studies in modernism.
|z 9781421415239
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