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Schoenberg's twelve-tone music : symmetry and the musical idea /
Jack Boss presents detailed analyses of Arnold Schoenberg''s twelve-tone pieces, bringing the composer''s ''musical idea'' - problem, elaboration, solution - to life.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, United Kingdom ; New York :
Cambridge University Press,
2014.
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| Colección: | Music since 1900.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Musical idea and symmetrical ideal
- Suite for Piano Op. 25 : varieties of Idea in Schoenberg's earliest twelve-tone music
- Woodwind Quintet Op. 26 : the twelve-tone Idea reanimates a large musical form
- Three Satires Op. 28, No. 3 : The earliest example of the "symmetrical ideal" in a (more or less) completely combinatorial context
- Piano Piece Op. 33a : The "symmetrical ideal" conflicts with and is reconciled to row order
- Fourth String Quartet Op. 37, movement I : two motives give rise to contrasting row forms, meters, textures, and tonalities (and are reconciled) within a large sonata form
- Moses und Aron : an incomplete musical idea represents an unresolved conflict between using word and image to communicate God
- String Trio Op. 45 : a musical idea and a near-death experience are expressed as a conflict between alternative row forms.