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The musical structure of Plato's dialogues /

J.B. Kennedy argues that Plato''s dialogues have an unsuspected musical structure and use symbols to encode Pythagorean doctrines. The followers of Pythagoras famously thought that the cosmos had a hidden musical structure and that wise philosophers would be able to hear this harmony of th...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Kennedy, J. B. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: London ; New York : Routledge, 2011
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The musical structure of Plato's dialogues /  |c J.B. Kennedy 
264 1 |a London ;  |a New York :  |b Routledge,  |c 2011 
264 4 |c ©2011 
300 |a 1 online resource (337 pages) 
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520 |a J.B. Kennedy argues that Plato''s dialogues have an unsuspected musical structure and use symbols to encode Pythagorean doctrines. The followers of Pythagoras famously thought that the cosmos had a hidden musical structure and that wise philosophers would be able to hear this harmony of the spheres. Kennedy shows that Plato gave his dialogues a similar, hidden musical structure. He divided each dialogue into twelve parts and inserted symbols at each twelfth to mark a musical note. These passages are relatively harmonious or dissonant, and so traverse the ups and downs of a known musical scale 
504 |a Includes bibliographical references and index 
505 0 |a The nature and history of philosophical allegory -- Introducing the dialogues' musical structure -- Independent lines of evidence -- An emphatic pattern in the Symposium's frame -- Making the Symposium's musical structure explicit -- Parallel structure in the Euthyphro -- Extracting doctrine from structure -- Some implications 
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