Tabla de Contenidos:
  • ""Cover""; ""Anxiety Muted""; ""Copyright""; ""Contents""; ""Figures, Tables, and Musical Examples""; ""Acknowledgments""; ""Contributors""; ""1 A Survey of History, Themes, and Trends""; ""2 Music and Mimicry in Sunset Boulevard (1950)""; ""3 Whoâ€?s Who in Hadleyville?: The Civic Voice in High Noon (1952)""; ""4 Anxieties of Accuracy: Miklós Rózsaâ€?s Score for Quo Vadis (1951)""; ""5 “Whatever Will Be, Will Beâ€?: Gender Equality and the Music of Alfred Hitchcockâ€?s The Man Who Knew Too Much (1956)""; ""6 Music, Maturity, and the Moral Geography in Leave It to Beaver (1957â€?1963)""
  • ""7 The Whole Truth: Music as Truth in The Twilight Zone (1959â€?1964)""""8 “Living in Harmonyâ€?? American Music and Individualism in The Prisoner (1967â€?1968)""; ""9 The Sound of Disability: Music, the Obsessive Avenger, and Eugenics in America""; ""10 Masculinity, Race, and the Blues in the Bizpic Cadillac Records (2008)""; ""11 Cominâ€? Back to the Sixties: Mobilizing Music and Performing Politics, 1988â€?1990""; ""12 Late-Adolescence in the American Sixties: “The Twistâ€? and the Twentysomethings in AMCâ€?s Mad Men (2007â€?)""
  • ""13 Musically Recreating the Fifties in Far From Heaven (2002)""""14 The Very Essence of Tragic Reality: Aaron Copland and Thomas Newmanâ€?s Suburban Scoring""; ""Index""