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|a Xuelei, Huang,
|e author.
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|a Shanghai Filmmaking :
|b Crossing Borders, Connecting to the Globe, 1922-1938.
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|a China Studies
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|a Foreword; Acknowledgements; Conventions and Abbreviations; Introduction; Part 1 Production; Chapter 1 The Business; Chapter 2 Players of the 1920s: Interconnecting, Mediating; Chapter 3 Players of the 1930s: Contestation? Collaboration?; Part 2 Product; Chapter 4 The Medium: Inside Glocal Mediascapes; Chapter 5 The Narrative (I): Melodrama as a Social Form; Chapter 6 The Narrative (II): Melodramas Fit for All; Chapter 7 The Meaning: Toward a Sentimental Education; Epilogue Toward a Glocal Viewing Public; Appendix 1 Filmography; Appendix 2 Mingxing Personnel; Bibliography; Index.
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|a In Shanghai Filmmaking, Huang Xuelei paints a multi-faceted picture of early Chinese film culture and examines a series of border-crossing practices across various ideological, geographical and medial divides.
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|a Includes bibliographical references and index.
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|a English.
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|a Mingxing Motion Picture Company
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|a Motion picture studios
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|a Studios de cinéma
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|i Print version:
|a Xuelei, HUANG.
|t Shanghai Filmmaking : Crossing Borders, Connecting to the Globe, 1922-1938.
|d Leiden : BRILL, ©2014
|z 9789004279339
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