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The emotions industry /
This book deals with the multi-cultural phenomenon of the emotions industry, as well as the cynical manner in which that industry exploits its consumers in various cultures. The book was written in order to illuminate the fact that the culture industry has developed a ""new"" con...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hauppauge New York :
Nova Science Publisher's, Inc.,
[2014]
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| Colección: | Psychology of emotions, motivations, and actions series.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- ""THE EMOTIONS INDUSTRY""; ""THE EMOTIONS INDUSTRY""; ""Library of Congress Cataloging-in-Publication Data""; ""CONTENTS""; ""INTRODUCTION: A PROFILE OF THE EMOTIONS INDUSTRY""; ""REFERENCES""; ""AUTHORS LIST""; ""ABOUT THE EDITOR""; ""SECTION I: THE EMOTIONS INDUSTRY �THE CONSTRUCTION OF A ROMANTIC PRODUCTION LINE""; ""Chapter 1: CELLULAR BRANDING: THE SEARCH FOR LOVE VIA THE EMOTIONS INDUSTRY""; ""ABSTRACT""; ""INTRODUCTION""; ""EMOTIONS AND BRANDING""; ""NARRATIVE BRANDING""; ""METHODOLOGY""; ""RESULTS""; ""DISCUSSION""; ""REFERENCES""
- ""Chapter 2: ROMANCE TOURISM: THE ULTIMATE EMOTIONS INDUSTRY""""ABSTRACT""; ""INTRODUCTION""; ""LITERATURE REVIEW""; ""METHODS""; ""RESULTS""; ""DISCUSSION""; ""CONCLUSION""; ""REFERENCES""; ""Chapter 3: WHAT�S THE FIGHTING ALL ABOUT?A COMPARISON OF REASONS FOR ROMANTIC CONFLICTS ON TELEVISION PROGRAMS AND INTHE REAL WORLD""; ""ABSTRACT""; ""INTRODUCTION""; ""ROMANTIC CONFLICT IN REAL LIFE: EMPIRICAL FINDINGS AND THEORETICAL EXPLANATIONS""; ""ROMANTIC CONFLICTS ON TELEVISION""; ""METHODOLOGY""; ""CONTENT ANALYSIS""; ""RESULTS""; ""DISCUSSION""; ""CONCLUSION""; ""REFERENCES""
- ""SECTION II: THE EMOTIONS INDUSTRY �FROM PRODUCTION TO CONSUMPTION OF EMOTIONAL CONTENT""""Chapter 4: “THE JOURNALISM OF ASTONISHMENT�: ENGAGING THE AUDIENCE EMOTIONALLY THROUGH AMATEUR VISUALS""; ""ABSTRACT""; ""INTRODUCTION""; ""JOURNALISM, EMOTION AND NEWS IMAGES""; ""AMATEUR IMAGES AS AFFECTIVE LABOR""; ""RESEARCH DESIGN AND METHODS""; ""CONCLUSION""; ""REFERENCES""; ""Chapter 5: THE EMOTIONS INDUSTRY IN ITALY: YOU�VE GOT MAIL""; ""ABSTRACT""; ""INTRODUCTION""; ""THEORETICAL FRAMEWORK""; ""REALITY SHOWS: A NEW SOCIAL DISCLOURSE FOR THE EXPRESSION OF EMOTIONS""; ""METHODOLOGY""
- ""RESULTS""""DISCUSSION""; ""CONCLUSION""; ""REFERENCES""; ""Chapter 6: ELICITING “KOSHER EMOTIONS� IN ULTRA ORTHODOX JEWISH WOMEN�S FILM""; ""ABSTRACT""; ""INTRODUCTION""; ""THE MEDIA AND ISRAEL�S HAREDI SOCIETY""; ""THE JUXTAPOSITION OF MARKETING, RELIGION, THE MEDIA AND EMOTIONAL RELIGIOUS EXPERIENCE""; ""METHODOLOGY""; ""RESULTS""; ""DISCUSSION""; ""CONCLUSION""; ""REFERENCES""; ""SECTION III: THE EMOTIONS INDUSTRY �MEDIA CONSUMERS� CONFRONTATION WITH FEAR AND DEATH""
- ""Chapter 7: FLIRTING WITH DEATH: WRITING AS A MODE OF BEING-IN-THE-WORLD ON AN ON-LINE SUICIDE SUPPORT FORUM""""ABSTRACT""; ""INTRODUCTION""; ""PARTICIPATION AS PERFORMANCE""; ""METHOD""; ""RESULTS""; ""DISCUSSION""; ""CONCLUSION""; ""REFERENCES""; ""Chapter 8: “I WAS REALLY SCARED�: A CROSS-CULTURAL COMPARISON OF RECONSTRUCTING CHILDREN�S FEARFUL VIEWING EXPERIENCES""; ""ABSTRACT""; ""CHILDREN�S FEAR REACTIONS""; ""MEDIATING FEAR REACTIONS""; ""METHOD""; ""RESULTS""; ""CONCLUSION""; ""REFERENCES""; ""SECTION IV: THE EMOTIONS INDUSTRY �THE POLITICS OF EMOTIONS""