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To forget Venice /
To Forget Veniceis the improbable challenge and the title of Peg Boyers's newest collection of poems. The site of several unforgettable years of her adolescence, the place she has returned to more frequently than any other, the city of Venice is both adored and reviled by the speakers in this v...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago ; London :
The University of Chicago Press,
2014.
|
| Colección: | Phoenix poets.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Boyers, Peggy, |d 1952- |e author. | |
| 245 | 1 | 0 | |a To forget Venice / |c Peg Boyers. |
| 264 | 1 | |a Chicago ; |a London : |b The University of Chicago Press, |c 2014. | |
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| 500 | |a Poems. | ||
| 504 | |a Includes bibliographical references. | ||
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| 505 | 0 | |a Acknowledgments -- I -- Scirocco: Otello in Venice -- The Ruskins -- 1. John Ruskin Confronts the Real Female Nude (April 10, 1847) -- 2. Effie Gray Ruskin Writes to Her Mother on Christmas Eve, 1850 -- Tadzio's Mother -- Mrs. Casanova -- Titian's Magdalena Speaks from Lazzaretto Nuovo, 1576 -- To Lenin from Venice -- Wall Moss -- II -- Crossing -- Arrivata -- Rialto -- Rooftop: Aerial View -- Pact, 1968 -- Moon Walk -- Canzoncino: Air for My Father -- Urn -- III -- Ambition of Sand -- At the Guggenheim Museum, Venice -- Lido -- Tramonto -- At Sea -- Callas in Venice -- La Tempesta -- Aubade -- What I Meant To Say: In Memory of Michael Mazur, 1935-2009 -- Dream of the Chalice -- Fondamente Nove -- The Jewish Cemetery, Lido -- Brodsky at San Michele, 1996 -- To Forget Venice -- Notes. | |
| 520 | |a To Forget Veniceis the improbable challenge and the title of Peg Boyers's newest collection of poems. The site of several unforgettable years of her adolescence, the place she has returned to more frequently than any other, the city of Venice is both adored and reviled by the speakers in this varied and unconventionally polyphonic work. The voices we hear in these poems belong not only to characters like the mother of Tadzio (thinkDeath inVenice), or the companion of Vladimir Ilych Lenin, or the Victorian prophet John Ruskin and his wife, Effie, but also to wall moss, and sand, and-most especially-an authorial speaker who in 1965, at age thirteen, landed in Venice and never quite recovered from the formative experiences that shaped her there. Ranging over several stages of a life that features adolescent heartbreak and betrayal, marriage and children, friendship and loss, the book insistently addresses the author's desire to get to the bottom of her obsession with a place that has imprinted itself so profoundly on her consciousness. | ||
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