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Cinema and evil : moral complexities and the "dangerous" film /
"Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2013
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| Colección: | EBSCO Academic Collection
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille
- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958)
- Pasolini and the remnants of neorealism : towards an immeasurable evil
- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974)
- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992)
- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005)
- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009)
- Conclusion : the "dangerous" film.