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Cinema and evil : moral complexities and the "dangerous" film /
"Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2013
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| Colección: | EBSCO Academic Collection
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Waldron, Dara, |e author. | |
| 245 | 1 | 0 | |a Cinema and evil : |b moral complexities and the "dangerous" film / |c by Dara Waldron |
| 264 | 1 | |a Newcastle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2013 | |
| 264 | 4 | |c ©2013 | |
| 300 | |a 1 online resource (xi, 217 pages) | ||
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| 520 | |a "Malevolence (and its causes) has been central to film since its inception; the birth of film coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil, however, are less frequent and fewer in quantity; especially films which respond to a body of thought -- philosophical or theological -- which has deliberated on the topic of evil over the centuries. Cinema and Evil: Moral Responsibility and the "Dangerous" Film addresses these films. It explores the legacy of evil from Manicheanism to Arendt, assessing the alternative definitions offered by philosophers, theologians and writers per se, on its problematic status."--Publisher website | ||
| 504 | |a Includes bibliographical references (pages 201-214). | ||
| 504 | |a Filmography: pages 215-217. | ||
| 505 | 0 | |a 'Trying to see darkness' : a genealogy of evil from Manicheanism to Bataille -- The 'Discourse on evil' in Fritz Lang's M (1931) and Orson Welles's Touch of evil (1958) -- Pasolini and the remnants of neorealism : towards an immeasurable evil -- 'Strike dear mistress and cure his heart' : evil and the law in Liliana Cavani's The night porter (1974) -- 'Barbarism begins at home' : Augustinian evil in Haneke's Benny's video (1992) -- Doli incapax? : re-evaluating evil and its origins in Michael Haneke's Caché (2005) -- Seeing and failing to see again : on the evil of Michael Haneke's The white ribbon (2009) -- Conclusion : the "dangerous" film. | |
| 588 | 0 | |a Print version record | |
| 506 | 1 | |a Legal Deposit; |c Only available on premises controlled by the deposit library and to one user at any one time; |e The Legal Deposit Libraries (Non-Print Works) Regulations (UK). |5 WlAbNL | |
| 540 | |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. |5 WlAbNL | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Good and evil in motion pictures. | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Film: styles & genres. |2 bicssc | |
| 650 | 7 | |a Ethics & moral philosophy. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Good and evil in motion pictures. |2 fast |0 (OCoLC)fst01903379 | |
| 650 | 7 | |a Filmhistoria. |2 sao | |
| 650 | 7 | |a Filmteori. |2 sfit | |
| 650 | 7 | |a Onska på film. |2 sfit | |
| 776 | 0 | 8 | |i Print version: |a Waldron, Dara. |t Cinema and evil. |d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2013 |z 9781443843423 |w (DLC) 2012545826 |w (OCoLC)822667066 |
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