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Brahms in the home and the concert hall : between private and public performance /

"Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explore...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Hamilton, Katy, 1982- (Editor ), Loges, Natasha (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, United Kingdom : Cambridge University Press, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Brahms in the home and the concert hall :  |b between private and public performance /  |c edited by Katy Hamilton and Natasha Loges. 
264 1 |a Cambridge, United Kingdom :  |b Cambridge University Press,  |c 2014. 
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520 |a "Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms's public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making"--  |c Provided by publisher 
505 0 0 |t Brahms in the home: An introduction /  |r Katy Hamilton and Natasha Loges --  |t The Joachim Quartet concerts at the Berlin Singakademie: Mendelssohnian Geselligkeit in Wilhelmine Germany /  |r Robert W. Eshbach --  |t Domesticity in Brahms's string sextets, opp. 18 and 36 /  |r Marie Sumner Lott --  |t Where was the home of Brahms's piano works? /  |r Katrin Eich --  |t Main and shadowy existence(s): Works and arrangements in the oeuvre of Johannes Brahms /  |r Michael Struck --  |t Brahms arranges his symphonies /  |r Robert Pascall --  |t At the piano with Joseph and Johannes: Joachim's overtures in Brahms's circle /  |r Valerie Woodring Goertzen --  |t Brahms and his arrangers /  |r Helen Paskins, with Katy Hamilton and Natasha Loges --  |t Brahms in the Wittgenstein homes: A memoir and letters /  |r Styra Avins --  |t The construction of gender and mores in Brahms's Mädchenlieder /  |r Heather Platt --  |t Music inside the home and outside the box: Brahms's vocal quartets in context /  |r Katy Hamilton --  |t The limits of the lied: Brahms's Magelone-Romanzen Op. 33 /  |r Natasha Loges --  |t Being (like) Brahms: Emulation and ideology in late nineteenth-century Hausmusik /  |r Markus Böggemann --  |t The cultural dialectics of chamber music: Adorno and the visual-acoustic imaginary of Bildung /  |r Richard Leppert. 
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