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Magical transformations on the early modern English stage /
Considering a variety of questions centering on magic and, or in, performance, this volume furthers the debate about the cultural work performed by representations of magic on the early modern English stage. Collectively the essays show that the idea of transformation applies not only to the objects...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham, Surrey ; Burlington, VT :
Ashgate,
[2014]
|
| Colección: | Studies in performance and early modern drama.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Magical transformations on the early modern English stage / |c edited by Lisa Hopkins and Helen Ostovich. |
| 264 | 1 | |a Farnham, Surrey ; |a Burlington, VT : |b Ashgate, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (ix, 265 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in Performance and Early Modern Drama | |
| 520 | |a Considering a variety of questions centering on magic and, or in, performance, this volume furthers the debate about the cultural work performed by representations of magic on the early modern English stage. Collectively the essays show that the idea of transformation applies not only to the objects and subjects of magic, but that the plays themselves can be seen as working to effect transformation in the ways that they challenge contemporary assumptions and stereotypes. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Contents; Notes on Contributors ; Acknowledgements ; Introduction; Part I Demons and Pacts; 1 Magic and the Decline of Demons; 2 Who the Devil is in Charge?; 3 Danger in Words; Part II Rites to Believe; 4 'The Charm's Wound Up'; 5 Demonising Macbeth; 6 Hermetic Miracles in The Winter's Tale; Part III Learned Magic; 7 'We ring this round with our invoking spells'; 8 Boiled Brains, 'Inward Pinches', and Alchemical Tempering in The Tempest; 9 Profit and Delight?; Part IV Local Witchcraft; 10 Three Wax Images, Two Italian Gentlemen, and One English Queen. | |
| 505 | 8 | |a 11 'In good reporte and honest estimacion amongst her neighbours'12 'A witch, a quean, an old cozening quean!'; 13 'Gingerbread Progeny' in Bartholomew Fair; 14 'My poor fiddle is bewitched'; Bibliography; Index. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x History and criticism. | |
| 650 | 0 | |a Magic in literature. | |
| 650 | 0 | |a Theater |z England |x History |y 16th century. | |
| 650 | 6 | |a Théâtre anglais |y 16e siècle |x Histoire et critique. | |
| 650 | 6 | |a Magie dans la littérature. | |
| 650 | 6 | |a Théâtre |z Angleterre |x Histoire |y 16e siècle. | |
| 650 | 7 | |a DRAMA |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English drama |x Early modern and Elizabethan. |2 fast |0 (OCoLC)fst01710950 | |
| 650 | 7 | |a Magic in literature. |2 fast |0 (OCoLC)fst01005497 | |
| 650 | 7 | |a Theater. |2 fast |0 (OCoLC)fst01149217 | |
| 651 | 7 | |a England. |2 fast |0 (OCoLC)fst01219920 | |
| 650 | 7 | |a Drama |2 gnd | |
| 650 | 7 | |a Englisch |2 gnd | |
| 650 | 7 | |a Magie |g Motiv |2 gnd | |
| 648 | 7 | |a 1500-1600 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Hopkins, Lisa, |d 1962- |e editor. | |
| 700 | 1 | |a Ostovich, Helen, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Magical transformations on the early modern English stage. |d Farnham, Surrey ; Burlington, VT : Ashgate, [2014] |z 9781472432865 |w (DLC) 2014013543 |w (OCoLC)881824186 |
| 830 | 0 | |a Studies in performance and early modern drama. | |
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