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EBSCO_ocn889674441 |
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OCoLC |
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20231017213018.0 |
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|a (OCoLC)889674441
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|a UAMI
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|a Zagorski-Thomas, Simon.
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1 |
4 |
|a The Musicology of Record Production.
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|a Cambridge :
|b Cambridge University Press,
|c 2014.
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|a 1 online resource (280 pages)
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|a Cover; Half title; Title; Copyright; Contents; Acknowledgements; 1 Introduction; 2 Why study record production?; 3 How should we study record production?; Theoretical interlude 1; 4 Sonic cartoons; 5 Staging; Theoretical interlude 2; 6 The development of audio technology; 7 Using technology; Theoretical interlude 3; 8 Training, communication and practice; 9 Performance in the studio; Theoretical interlude 4; 10 Aesthetics and consumer influence; 11 The business of record production; Afterword; Bibliography; Discography; Filmography; Index.
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|a Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.
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|a Includes bibliographical references and index.
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546 |
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|a English.
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|a eBooks on EBSCOhost
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|a Sound recordings
|x Production and direction
|x Psychological aspects.
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|a Musical perception.
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650 |
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|a Perception de la musique.
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|a MUSIC
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|a Musical perception
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|i Print version:
|a Zagorski-Thomas, Simon.
|t Musicology of record production.
|z 9781107075641
|z 1107075645
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