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Wittgenstein as philosophical tone-poet : philosophy and music in dialogue /
This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein's life and work. Wittgenstein's remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the conc...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; New York :
Rodopi,
2014.
|
| Colección: | Studien zur österreichischen Philosophie ;
Bd. 45. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Szabados, Béla, |d 1942- | |
| 245 | 1 | 0 | |a Wittgenstein as philosophical tone-poet : |b philosophy and music in dialogue / |c Béla Szabados. |
| 260 | |a Amsterdam ; |a New York : |b Rodopi, |c 2014. | ||
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| 490 | 1 | |a Studien zur österreichischen Philosophie ; |v Band XLV | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Title Page; Copyright Page; Musicians; Table of Contents; Acknowledgements; Introduction; Chapter I.A Life in Music; 1. An Appetite for Music; 2. Music''s Place: Biography or Philosophy?; 3. Young Wittgenstein Listens to Music; 4. Later Listening; Chapter II. Early Views: Wittgenstein''s Vienna Revisited; 1. Eduard Hanslick and a Tradition in Music; 2. Was the Early Wittgenstein a Musical Formalist?Affinities to Hanslick; 3. Whistling the Inexpressible: Wittgenstein, Hanslickand Schopenhauer; Chapter III. Wittgenstein in Transit: A Critique of the Tradition. | |
| 505 | 8 | |a 1. Is Beauty All It''s Cracked Up to Be?2. Do Works of Art Have an Essence?; 3. ""As If from a Great Distance"": Uncovering anAesthetic Attitude?; 4. Appreciating Music Naturally; Chapter IV. Later Views: A New Era; 1. Was the Later Wittgenstein a Musical Formalist?A Shift in Perspective; 2. Wittgenstein and Hanslick: A Kinship with Expressive Difference; 3. Irony in Music and Language: Face, Gesture, Tone; Chapter V. Wittgenstein and the Composers; 1. Not Only Science But Art Also Teaches; 2. Wittgenstein''s Reception of Wagner. | |
| 505 | 8 | |a 3. Wagner As Hearing Aid? Wittgenstein''s Remarks on Mendelssohn and Mahler4. A Different Reading: Wittgenstein''s Self-Understanding As Music Critic; 5. Why Was Wagner Absent from the Silents?; Chapter VI. Breakdown of Tradition; 1. Composing Music and Doing Philosophy ina Time of Decline; 2. The Brothers Wittgenstein and the MusicalJourney of the West; 3. Musical Experiments: Wittgenstein, Cageand Family Resemblance; 4. Deterioration or Sea Change in the Cultureof the West?; Chapter VII. Philosophy, Music and Therapy; Bibliography; Index. | |
| 520 | |a This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein's life and work. Wittgenstein's remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and th. | ||
| 546 | |a English. | ||
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| 600 | 1 | 0 | |a Wittgenstein, Ludwig, |d 1889-1951 |x Aesthetics. |
| 600 | 1 | 0 | |a Wittgenstein, Ludwig, |d 1889-1951 |x Knowledge |x Music. |
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