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Arranging Gershwin : Rhapsody in blue and the creation of an American icon /
In Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhap...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Bañagale, Ryan Raul. | |
| 245 | 1 | 0 | |a Arranging Gershwin : |b Rhapsody in blue and the creation of an American icon / |c Ryan Raul Bañagale. |
| 264 | 1 | |a Oxford ; |a New York : |b Oxford University Press, |c 2014. | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Setting the stage for new narratives -- Who really composed Rhapsody in blue? -- Leonard Bernstein's "nice Gershwin tune" -- Rewriting the narrative one arrangement at a time : Duke Ellington and Rhapsody in blue -- "It ain't necessarily so" : Larry Adler and Rhapsody in blue -- Visualizing Rhapsody in blue : arrangements and agencies -- Epilogue : arranging on multiple levels. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Arranging Gershwin, author Ryan Bañagale approaches George Gershwin's iconic piece Rhapsody in Blue not as a composition but as an arrangement -- a status it has in many ways held since its inception in 1924, yet one unconsidered until now. Shifting emphasis away from the notion of the Rhapsody as a static work by a single composer, Bañagale posits a broad vision of the piece that acknowledges the efforts of a variety of collaborators who shaped the Rhapsody as we know it today. Arranging Gershwin sheds new light on familiar musicians such as Leonard Bernstein and Duke Ellington, introduces lesser-known figures such as Ferde Grofé and Larry Adler, and remaps the terrain of this emblematic piece of American music. At the same time, it expands on existing approaches to the study of arrangements--an emerging and insightful realm of American music studies--as well as challenges existing and entrenched definitions of composer and composition. Based on a host of newly discovered manuscripts, the book significantly alters existing historical and cultural conceptions of the Rhapsody. With additional forays into visual media, including the commercial advertising of United Airlines and Woody Allen's Manhattan, it moreover exemplifies how arrangements have contributed not only to the iconicity of Gershwin and Rhapsody in Blue, but also to music-making in America--its people, their pursuits, and their processes [Publisher description]. | ||
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| 600 | 1 | 0 | |a Gershwin, George, |d 1898-1937. |t Rhapsody in blue. |
| 600 | 1 | 0 | |a Grofé, Ferde, |d 1892-1972 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Bernstein, Leonard, |d 1918-1990 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Ellington, Duke, |d 1899-1974 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Adler, Larry |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Adler, Larry. |2 fast |0 (OCoLC)fst00113253 |
| 600 | 1 | 7 | |a Bernstein, Leonard, |d 1918-1990. |2 fast |0 (OCoLC)fst00002135 |
| 600 | 1 | 7 | |a Ellington, Duke, |d 1899-1974. |2 fast |0 (OCoLC)fst00019509 |
| 600 | 1 | 7 | |a Grofé, Ferde, |d 1892-1972. |2 fast |0 (OCoLC)fst00112682 |
| 630 | 0 | 7 | |a Rhapsody in blue (Gershwin, George) |2 fast |0 (OCoLC)fst01374121 |
| 600 | 1 | 7 | |a Gershwin, George |d 1898-1937 |t Rhapsody in blue |2 gnd |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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