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Dancing bodies of devotion : fluid gestures in Bharata natyam /

This ethnography examines how contemporary dancers of Bharata Natyam, a traditionally Hindu storytelling dance form, embody Buddhist, Muslim, Christian and Jain narratives. These dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and eth...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zubko, Katherine C. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham, Maryland : Lexington Books, [2014]
Colección:Studies in body and religion.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Dancing bodies of devotion :  |b fluid gestures in Bharata natyam /  |c Katherine C. Zubko. 
264 1 |a Lanham, Maryland :  |b Lexington Books,  |c [2014] 
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490 1 |a Studies in body and religion 
504 |a Includes bibliographical references and index. 
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505 0 0 |g Part I  |t Religious Bodies  |g 33 --  |g 1  |t Rasa: A Taste of the Divine  |g 37 --  |g 2  |t Balasaraswati and Krishna Ni Begane Baro  |g 47 --  |g 3  |t Francis Barboza and Christian Themes  |g 59 --  |t Conclusion: Bhakti Rasa: A Re-Personalized Aesthetic of Devotion  |g 73 --  |g Part II  |t Cultural Bodies  |g 75 --  |g 4  |t Rasa and Bhakti as Indian Categories  |g 81 --  |g 5  |t Dhanajayanas' Sanghanitra  |g 93 --  |g 6  |t Kalai Kaviri's Gayatri Mantra  |g 105 --  |t Conclusion: Is There an Indian Way to Dance Devotion?  |g 115 --  |g Part III  |t Ethical Bodies  |g 119 --  |g 7  |t Natya as Visual Education and the Ethics of Rasa  |g 123 --  |g 8  |t Dhananjayans' Stree (Woman)  |g 137 --  |g 9  |t Monica Colley's Morality Tales and Bhagavad Gita Sabdam  |g 147 --  |t Conclusion: An Ethics of Bhakti Rasa: Performance of a Moral Mood  |g 167 --  |g Part IV  |t Pluralisitic Bodies  |g 171 --  |g 10  |t Unity and Multiplicity of Rasa  |g 175 --  |g 11  |t Malini Srinivasan and Sufi Qawwali  |g 181 --  |g 12  |t Tehreema Mitha and Ratt Jaga (The Vigil)  |g 199 --  |t Conclusion: Revisiting "Unity in Diversity"  |g 215. 
520 |a This ethnography examines how contemporary dancers of Bharata Natyam, a traditionally Hindu storytelling dance form, embody Buddhist, Muslim, Christian and Jain narratives. These dancers choreographically adapt various religious identities and ideas in order to emphasize pluralistic cultural and ethical dimensions in their work. Through the dancing body, multiple religious and secular interpretations are able to co-exist. 
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