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Prehistoric future : Max Ernst and the return of painting between the wars /
One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automat...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Paderborn, Germany ; Chicago, Illinois :
Wilhelm Fink Verlag : University of Chicago Press,
2004.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ubl, Ralph. | |
| 245 | 1 | 0 | |a Prehistoric future : |b Max Ernst and the return of painting between the wars / |c Ralph Ubl ; translated by Elizabeth Tucker. |
| 264 | 1 | |a Paderborn, Germany ; |a Chicago, Illinois : |b Wilhelm Fink Verlag : |b University of Chicago Press, |c 2004. | |
| 264 | 4 | |c ©2003 | |
| 300 | |a 1 online resource (260 pages) | ||
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| 500 | |a Includes index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed December 25, 2013). | |
| 505 | 0 | |a Preface; Introduction; Chapter 1 -- From Dada to Surrealism: The Ghost Story of Mimesis; Chapter 2 -- Natural History in Service to the Surrealist Revolution; Plates; Chapter 3 -- Max Ernst and Freud; Chapter 4 -- Prehistory and Modern History: The Return of the First World War; Excursus: The Earth: A Formal History of a Theme; Chapter 5 -- Prehistory and Modern History: Europe after the Rain, 1933; Afterword: Walter Benjamin and Max Ernst; Notes; Index. | |
| 520 | |a One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had for. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Ernst, Max, |d 1891-1976 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Ernst, Max, |d 1891-1976 |x Influence. |
| 600 | 1 | 7 | |a Ernst, Max, |d 1891-1976. |2 fast |0 (OCoLC)fst00047247 |
| 650 | 0 | |a Painting, Modern |y 20th century |x History. | |
| 650 | 6 | |a Peinture |y 20e siècle |x Histoire. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a Painting, Modern. |2 fast |0 (OCoLC)fst01050988 | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 700 | 1 | |a Tucker, Elizabeth. | |
| 776 | 0 | 8 | |i Print version: |t Prehistoric future : Max Ernst and the return of painting between the wars. |d Paderborn, Germany ; Chicago, Illinois : Wilhelm Fink Verlag : University of Chicago Press, 2004, ©2003 |h viii, 260 pages |z 9780226823720 |
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