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The Oxford handbook of music revival /
Revival movements aim to revitalize traditions perceived as threatened or moribund by adapting them to new temporal, spatial, and social contexts. While many of these movements have been well-documented in Western Europe and North America, those occurring and recurring elsewhere in the world have re...
| Clasificación: | Libro Electrónico |
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Oxford University Press,
[2014]
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| Colección: | Oxford Handbooks in Music.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; The Oxford Handbook of Music Revival; Copyright; Contents; List of Contributors; About the Companion Website; part I Towards Multiple Theories of Music Revival; 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change; 2. Traditional Music, Heritage Music; 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Music Making; part II Scholars and Collectors as Revival Agents; 4. Antiquarian Nostalgia and the Institutionalization of Early Music; 5. A Folklorist's Exploration of the Revival Metaphor.
- 6. A Participant-Documentarian in the American Instrumental Folk Music Revivalpart III Intangible Cultural Heritage, Preservation, and Policy; 7. Reviving Korean Identity through Intangible Cultural Heritage; 8. Music Revival, Ca Trù Ontologies, and Intangible Cultural Heritage in Vietnam; 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music; part IV National Renaissance and Postcolonial Futures; 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival; 11. Choreographic Revival, Elite Nationalism, and Postcolonial Appropriation in Senegal.
- 12. Revived Musical Practices within Uzbekistan's Evolving National Project13. Two Revivalist Moments in Iranian Classical Music; 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival; part V Recovery from War, Disaster, and Cultural Devastation; 15. Revivalist Articulations of Traditional Music in War and Postwar Croatia; 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna; 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Negle; part VI Innovations and Transformations.
- 18. Innovation and Cultural Activism through the Reimagined Pasts of Finnish Music Revivals19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicália; 20. Bending or Breaking the Native American Flute Tradition?; 21. Toward an Application of Globalization Paradigms to Modern Folk Music Revivals; part VII Festivals, Marketing, and Media; 22. Contemporary English Folk Music and the Folk Industry; 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity.
- 24. Trailing Images and Culture Branding in Post-Renaissance Hawai'i25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations t; part VIII Diaspora and the Global Village; 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage; 27. Irish Music Revivals Through Generations of Diaspora; 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora; 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979); 30. Re-flections; Index.