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Optical impersonality : science, images, and literary modernism /
"Western accounts of human vision before the nineteenth century tended to separate the bodily eye from the rational mind. This model gave way in the mid-nineteenth century to one in which the thinking subject, perceiving body, perceptual object, and material world could not be so easily separat...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore :
Johns Hopkins University Press,
2014.
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| Colección: | Hopkins studies in modernism.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction. Eye don't see: embodied vision, ontology, and modernist impersonality
- A protomodern picture impersonality: Walter Pater and Michael Field's vision
- Images of incoherence: the visual body of H.D. impersonaliste
- Getting impersonal: body politics and Mina Loy's "anti-thesis of self-expression"
- D.H. Lawrence's impersonal imperative: vision, bodies, and the recovery of identity
- Managing the "feeling into which we cannot peer": T.S. Eliot's impersonal matters
- Afterword. Modernist futurity: the "creative contagion" of impersonality and affect.