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|a Art theory as visual epistemology /
|c edited by Harald Klinke.
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|a Newcastle upon Tyne, UK :
|b Cambridge Scholars Publishing,
|c 2014.
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|a 1 online resource (148 pages) :
|b illustrations
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|a Includes bibliographical references and index.
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|a Print version record.
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|a How can we ""know""? What does ""knowledge"" mean? These were the fundamental questions of epistemology in the 17th century. In response to continental rationalism, the British empiricist John Locke proposed that the only knowledge humans can have is acquired a posterior. In a discussion of the human mind, he argued, the source of knowledge is sensual experience - mostly vision. Since vision and picture-making are the realm of art, art theory picked up on questions such as: are pictures able to ...
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|a TABLE OF CONTENTS -- INTRODUCTION -- PICTORIAL ART AND EPISTEMIC AIMS -- TRACING OUT SPACEIN VIDEO PERFORMANCE -- RETHINKING VISION IN EIGHTEENTHCENTURYPAINTINGS OF THE BLIND -- MENTAL AND VISUAL ASCESIS -- ICONOGRAPHY, NARRATIVITY, AND TELLABILITY IN PICTURES -- VOIR OU LIRE -- DRAWING AS AN EPISTEMOLOGICAL MEDIUMIN BELLORI'S LIVES -- THE EXPERIMENTS OF PERCEPTIONIN SCIENCE AND ART BY ERNST MACH, DAN GRAHAM AND PETER WEIBEL -- BIOGRAPHIES -- INDEX.
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|a Knowledge, Theory of.
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|a Aesthetics.
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|a Théorie de la connaissance.
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|a epistemology.
|2 aat
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|a Theory of art.
|2 bicssc
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|a History of art
|x art & design styles.
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|a Cultural studies.
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|a ART
|x General.
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|a Aesthetics
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|a Knowledge, Theory of
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|a Klinke, Harald,
|e editor.
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|t Art theory as visual epistemology
|z 1443854395
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