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|a Chatterjee, Anuradha.
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|a Surface and Deep Histories :
|b Critiques and Practices in Art, Architecture and Design.
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|a Newcastle upon Tyne :
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|a Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative ...
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|a Introduction: Surface potentialities / Anuradha Chatterjee -- Montage and modernity: late nineteenth-century colonial graphic culture / Molly Duggins -- Between mischief and reason: wallpaper, femininity, and the production of space in the late-nineteenth century / Anna Daly -- Sartorialized space: the surfacing of expansive bodies / Stella North -- Hypersurface architecture (redux) / M. Hank Haeusler -- What's in a name? The in-between-ness of the verandah's public faces and threshold spaces / Chris Brisbin -- James Fergusson's theory of architecture: construction and ornament / Peter Kohane -- Scratching the surface: representational and symbolic practices of contemporary green architecture / Flavia Marcello and Ian Woodcock -- Surface typologies, critical function, and glass walls in Australian architecture / Anuradha Chatterjee.
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|a History of architecture.
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|i Print version:
|a Chatterjee, Anuradha.
|t Surface and Deep Histories : Critiques and Practices in Art, Architecture and Design.
|d Newcastle upon Tyne : Cambridge Scholars Publishing, ©2014
|z 9781443854368
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