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|a Cullhed, Anders,
|d 1951-
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245 |
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|a True Lies Worldwide :
|b Fictionality in Global Contexts.
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|a Berlin :
|b De Gruyter,
|c 2014.
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|a Preface; Here, There -- and Everywhere? Eastern examples; Chinese Theories and Concepts of Fiction and the Issue of Transcultural Theories and Concepts of Fiction; Literature as a Vehicle for the Dao: Changing Perspectives of Fiction and Truth in Chinese Literature; Murasaki Shikibu and The Tale of Genji: Fate and Fiction; Fictional Spaces: Image, Language & Identity; The Fiction of the Image; Linguistic and Psychological Mechanisms Behind Literary Fiction; Photons of the Human Mind: The Fiction of Personal Identity; Live Fiction: Play & Performances.
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|a Interaction Between the Reader, the Critic and the Author: The Qing Dramatist Hong Sheng's Historical Play Changshengdian and Wu Yiyi's CommentaryPerforming Life and Live Theatre: Fiction in Popular Performances; Fiction Past and Present: Historical Perspectives; Diagnosing Fiction: From Plato to Borges; Classical Persian Literature: Fiction, Didactics or Intuitive Truth?; Historicity and Fictionality in Medieval Narrative; How the West was Won by Fiction: The Appearance of Fictional Narrative and Leisurely Reading in Western Literature (11th and 12th century).
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|a Telling Tales: Narratology & FictionalityToward a Transcultural Poetics of Fiction: The Fusion of Narrative Visions in Chinese and Western Fiction Studies; General Beliefs from Fiction; Historical Fiction: Experiencing the Past, Reflecting History; The Frontiers of Fiction: Recent Developments; Unsettling Fictions: Generic Instability and Colonial Time; Whose Magic? Whose Realism? Reflections on Magical Realism in Ben Okri's The Famished Road; Confessions of the Hydra: Variations on the Concept of Fiction in Latin America; Coda: Fiction, Translation & Interaction.
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|a Fiction in Global Contexts: Translation, the Universal Language of LiteratureAfterword: Fiction as a Transcultural Entity; List of Contributors; Index of Names.
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520 |
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|a In today's world, fiction seems to be present everywhere, not only in traditional media such as books or movies, but on the web, in computer games or virtual environments. This book gathers twenty-three scholars from ten countries with the aim to explore the idea and the use of fiction in different cultures. It covers a broad field of interests, from classical literature, artand philosophy to modern media.
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504 |
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|a Includes bibliographical references and index.
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546 |
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|a In English.
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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650 |
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|a Fiction
|x History and criticism.
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650 |
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|a Literature and society
|x History and criticism.
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650 |
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|a Roman
|x Histoire et critique.
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650 |
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|a Littérature et société
|x Histoire et critique.
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650 |
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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650 |
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|a Fiction.
|2 fast
|0 (OCoLC)fst00923709
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650 |
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|a Literature and society.
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|a Fiktion
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|a Literatur
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653 |
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|a Fiction.
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653 |
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|a cultural history.
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653 |
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|a globalization.
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653 |
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|a imagination.
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653 |
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|a narratology.
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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700 |
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|a Rydholm, Lena.
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776 |
0 |
8 |
|i Print version:
|a Cullhed, Anders.
|t True Lies Worldwide : Fictionality in Global Contexts.
|d Berlin : De Gruyter, ©2014
|z 9783110303124
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856 |
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