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Producing Country : the Inside Story of the Great Recordings.
Legendary producers describe the making of country music's great recordings.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Middletown :
Wesleyan University Press,
2014.
©2014 |
| Colección: | Music:interview.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 050 | 4 | |a ML3524 .P76 2014 | |
| 072 | 7 | |a MUS |x 041000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.642 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Jarrett, Michael. | |
| 245 | 1 | 0 | |a Producing Country : |b the Inside Story of the Great Recordings. |
| 260 | |a Middletown : |b Wesleyan University Press, |c 2014. | ||
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (337 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music/Interview | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; PRODUCING COUNTRY; Title; Copyright; Dedication; CONTENTS; List of Illustrations; Acknowledgments; Introduction; Biographical Sketches; OVERTURE: WHAT IS A RECORD PRODUCER?; 1. CUTTING TRACKS: CAPTURING THE PERFORMANCE, 1927-1949; Various, RCA Country Legends: The Bristol Sessions, Vol. 1 (1927) and "A Satisfied Mind" (1954); Various, Roots n' Blues: The Retrospective 1925-1950; Bill Monroe, The Essential Bill Monroe and His Bluegrass Boys 1945-1949; Bob Wills, The Essential Bob Wills 1935-1947; Gene Autry, The Essential Gene Autry (1933-1946). | |
| 505 | 8 | |a Robert Johnson, The Complete Recordings (1936-1937)Tex Ritter, "Jingle, Jangle, Jingle" (1942); The Maddox Brothers and Rose, America's Most Colorful Hillbilly Band, 1946-1951; T. Texas Tyler, "Deck of Cards" (1946); Tex Williams and His Western Caravan, "Smoke! Smoke! Smoke! (That Cigarette)" (1947); The Dinning Sisters, "Buttons and Bows" (1947); Merle Travis, Folk Songs of the Hills (1947); Dale Evans, "Don't Ever Fall in Love with a Cowboy" (1949); INTERLUDE: THE PRODUCER AS DIRECTOR; 2. TAPING TRACKS: CREATING THE PERFORMANCE, 1950-1966. | |
| 505 | 8 | |a Lefty Frizzell, Look What Thoughts Will Do (1950-1965)Martha Carson, "Satisfied" (1951); Hank Williams, "I'll Never Get Out of This World Alive" (1952); Tex Ritter, "High Noon (Do Not Forsake Me)" (1952); Kitty Wells, "It Wasn't God Who Made Honky Tonk Angels" (1952); Elvis Presley, "That's All Right" (1954); The Louvin Brothers, "When I Stop Dreaming" (1955); Ferlin Husky, "Gone" (1956); Merle Travis, The Merle Travis Guitar (1956); Elvis Presley, "Blue Moon" (1956) and Elvis Presley (1956); The Million Dollar Quartet, The Complete Million Dollar Quartet (1956). | |
| 505 | 8 | |a Billy Lee Riley, "Flyin' Saucers Rock and Roll" and "Red Hot" (1957)Roy Orbison, The Sun Years (1956-1958); Don Gibson, "I Can't Stop Loving You" and "Oh, Lonesome Me" (1957); Jerry Lee Lewis, "Whole Lotta Shakin' Goin' On" (1957); The Everly Brothers, "Bye Bye Love" (1957); Johnny Cash, "Home of the Blues" (1957); Bill Monroe, "Scotland" (1958); Buddy Holly, "Rave On" and "That's My Desire" (1958); Del Wood, Rags to Riches (1959); George Jones, "White Lightning" (1959); Jim Reeves, "He'll Have to Go" (1959); Buck Owens, "Excuse Me (I Think I've Got a Heartache)" (1960). | |
| 505 | 8 | |a Brenda Lee, "I'm Sorry" (1960)Floyd Cramer, "Last Date" (1960); Hank Thompson, Hank Thompson at the Golden Nugget (1961); Jim Reeves, "The Blizzard" (1961); Elvis Presley, "Little Sister" (1961); Patsy Cline, "I Fall to Pieces" and "Crazy" (1961); Ray Stevens, "Santa Claus Is Watching You" (1962); Bobby Bare, The Essential Bobby Bare (1962); Ray Charles, Modern Sounds in Country and Western Music (1962); Dickey Lee, "Patches" (1962); Hank Snow, "I've Been Everywhere" (1962); Johnny Cash, "Ring of Fire" (1963); Ernest Tubb, "Thanks a Lot" (1963); Elvis Presley, "It Hurts Me" (1963). | |
| 500 | |a Dave Dudley, "Six Days on the Road" (1963). | ||
| 520 | |a Legendary producers describe the making of country music's great recordings. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Country music |x Production and direction |x History. | |
| 650 | 0 | |a Songs |z United States. | |
| 650 | 0 | |a Sound recording executives and producers |z United States |x Interviews. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Songs. |2 fast |0 (OCoLC)fst01126120 | |
| 650 | 7 | |a Sound recording executives and producers. |2 fast |0 (OCoLC)fst01127018 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Interviews. |2 fast |0 (OCoLC)fst01423832 | |
| 776 | 0 | 8 | |i Print version: |a Jarrett, Michael. |t Producing Country : The Inside Story of the Great Recordings. |d Middletown : Wesleyan University Press, ©2014 |z 9780819574633 |
| 830 | 0 | |a Music:interview. | |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=800112 |z Texto completo |
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