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Gendered frames, embodied cameras : Varda, Akerman, Cabrera, Calle, and Maïwenn /
Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Madison :
Fairleigh Dickinson University Press,
[2014]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a McFadden, Cybelle H., |d 1975- | |
| 245 | 1 | 0 | |a Gendered frames, embodied cameras : |b Varda, Akerman, Cabrera, Calle, and Maïwenn / |c Cybelle H. McFadden. |
| 264 | 1 | |a Madison : |b Fairleigh Dickinson University Press, |c [2014] | |
| 300 | |a 1 online resource (xii, 233 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 221-228) and index. | ||
| 505 | 0 | |a Introduction: Gendered frames, embodied cameras in contemporary French cinema (1987-2009) -- Section 1. Self-authorization through self-representation -- Reflected reflexivity: Agnès Varda's aging female body -- Enacted reflexivity: Chantal Akerman par Chantal Akerman -- Hybrid reflexivity: Dominique Cabrera's half-body, half-camera -- Section 2. Self-construction through faux narratives -- Orchestrated reflexivity: Sophie Calle's narrative body as artist -- Faux reflexivity: Maïwenn's camera and the female body -- Conclusion: Reflections on gendered frames, embodied cameras. | |
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 520 | |a Using the framework of self-representation, this book rethinks problems of representation of the female body in French cinema and contemporary French culture. By filming themselves, these filmmakers visually claim their roles, establish their authority in the field, and expose new ways to configure representation, gender, and cinema. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Varda, Agnès, |d 1928-2019 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Akerman, Chantal |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Cabrera, Dominique, |d 1957- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Calle, Sophie |x Criticism and interpretation. |
| 600 | 0 | 0 | |a Maïwenn, |d 1976- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Akerman, Chantal. |2 fast |0 (OCoLC)fst00056131 |
| 600 | 1 | 7 | |a Cabrera, Dominique, |d 1957- |2 fast |0 (OCoLC)fst00320219 |
| 600 | 1 | 7 | |a Calle, Sophie. |2 fast |0 (OCoLC)fst00114906 |
| 600 | 0 | 7 | |a Maïwenn, |d 1976- |2 fast |0 (OCoLC)fst01934174 |
| 600 | 1 | 7 | |a Varda, Agnès, |d 1928-2019 |2 fast |0 (OCoLC)fst00275550 |
| 650 | 0 | |a Human body in motion pictures. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a Motion pictures |z France. | |
| 650 | 6 | |a Corps humain au cinéma. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Cinéma |z France. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Human body in motion pictures. |2 fast |0 (OCoLC)fst01899764 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Sex role in motion pictures. |2 fast |0 (OCoLC)fst01114654 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |t Gendered frames, embodied cameras. |d Madison : Fairleigh Dickinson University Press ; [2014] |z 9781611476323 |w (DLC) 2014012984 |
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