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St. Anne in Renaissance music : devotion and politics /

Devotion to Saint Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first st...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Anderson, Michael Alan, 1975- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Cambridge University Press, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Anderson, Michael Alan,  |d 1975-  |e author. 
245 1 0 |a St. Anne in Renaissance music :  |b devotion and politics /  |c Michael Alan Anderson. 
264 1 |a New York, NY :  |b Cambridge University Press,  |c 2014. 
300 |a 1 online resource (xvii, 345 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Mary's mother : devotion, politics, and music -- Heritage and progeny in an office for St. Anne -- Of widowhood and maternity: La Rue's Missa de Sancta Anna -- Devotion and letters : St. Anne in pre-reformation Wittenberg -- A "divine favor" at the French court : in pursuit of a motet for St. Anne -- Devotion without borders : the afterlife of Celeste beneficium -- The French royal trinity, biblical humanism and chanted mass propers for St. Anne. 
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520 |a Devotion to Saint Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first study to explore the music that honoured the saint and its connections to some of the most prominent court cultures of western Europe. Michael Alan Anderson examines plainchant and polyphonic music for Saint Anne, in sources both familiar and previously unstudied, to illuminate not only Anne's wide-ranging intercessional capabilities but also the political force of the music devoted to her. Whether viewed as a fertility aide, wise mother, or dynastic protector, she modelled a number of valuable roles that rulers reflected in the music of their devotional programmes to project their noble lineage and prestige. 
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600 0 7 |a Anna  |c Heilige  |2 gnd 
650 0 |a Motets  |y 16th century  |x History and criticism. 
650 0 |a Masses  |y 16th century  |x History and criticism. 
650 0 |a Sacred vocal music  |y 16th century  |x History and criticism. 
650 0 |a Church music  |x Catholic Church  |y 16th century. 
650 6 |a Motets  |y 16e siècle  |x Histoire et critique. 
650 6 |a Messes  |y 16e siècle  |x Histoire et critique. 
650 6 |a Musique vocale sacrée  |y 16e siècle  |x Histoire et critique. 
650 6 |a Musique d'église  |x Église catholique  |y 16e siècle. 
650 7 |a MUSIC  |x Instruction & Study  |x Theory.  |2 bisacsh 
650 7 |a Church music  |x Catholic Church.  |2 fast  |0 (OCoLC)fst00860816 
650 7 |a Masses.  |2 fast  |0 (OCoLC)fst01011506 
650 7 |a Motets.  |2 fast  |0 (OCoLC)fst01026871 
650 7 |a Sacred vocal music.  |2 fast  |0 (OCoLC)fst01103213 
650 7 |a Songs.  |2 fast  |0 (OCoLC)fst01126120 
650 7 |a Geistliche Musik  |2 gnd 
648 7 |a 1500-1599  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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