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Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice /

Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-gard...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Verrone, William (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, New York ; London [England] : Continuum, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Verrone, William,  |e author. 
245 1 0 |a Adaptation and the avant-garde :  |b alternative perspectives on adaptation theory and practice /  |c William Verrone. 
264 1 |a New York, New York ;  |a London [England] :  |b Continuum,  |c 2011. 
264 4 |c ©2011 
300 |a 1 online resource (284 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
588 0 |a Print version record. 
505 0 |a Cover; Half-title; Title; Copyright; Contents; Acknowledgments; Introduction; Part I Historical and Theoretical Background; Chapter 1 Defining the Avant-Garde Film; Chapter 2 Adaptation Theory and Practice; Chapter 3 Appropriation; Chapter 4 The Exploitative Adaptation; Chapter 5 Why Avant-Garde?; Part II A Chronology of Avant-Garde Film Adaptation; Chapter 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation; Part III Case Studies; Chapter 7 The Fall of the House of Usher; Chapter 8 Scorpio Rising; Chapter 9 Fruit of Paradise. 
505 8 |a Chapter 10 Hitler: A Film from GermanyChapter 11 Street of Crocodiles; Chapter 12 The Dante Quartet; Chapter 13 Alice; Chapter 14 Prospero's Books; Chapter 15 Wisconsin Death Trip; Chapter 16 Spectres of the Spectrum; Chapter 17 Dracula: Pages from a Virgin's Diary; Conclusion; Appendix Some Avant-Garde Film Adaptations; Notes; Notes; Bibliography; Index. 
520 |a Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretatio. 
533 |a Electronic reproduction.  |b London :  |c Bloomsbury Publishing,  |d 2014.  |n Available via World Wide Web.  |n Access limited by licensing agreement.  |5 OrPS 
546 |a English. 
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650 0 |a Film adaptations  |x History and criticism. 
650 0 |a Experimental films  |x History and criticism. 
650 6 |a Adaptations cinématographiques  |x Histoire et critique. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a Experimental films  |2 fast 
650 7 |a Film adaptations  |2 fast 
650 7 |a Experimentalfilm.  |2 idszbz 
650 7 |a Literatur.  |2 idszbz 
650 7 |a Verfilmung.  |2 idszbz 
650 7 |a Film.  |2 idszbz 
650 7 |a Filmatisering av litterära verk  |x historia.  |2 sao 
650 7 |a Adaptation till film.  |2 sfit 
650 7 |a Filmen och litteraturen.  |2 sfit 
650 7 |a Experimentfilm.  |2 sfit 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Verrone, William.  |t Adaptation and the avant-garde : alternative perspectives on adaptation theory and practice.  |d New York, New York ; London, [England] : Continuum, ©2011  |h vi, 275 pages  |z 9781623562885 
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