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|a Cahill, Susan,
|d 1979-
|e author.
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1 |
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|a Irish literature in the celtic tiger years 1990 to 2008 :
|b gender, bodies, memory /
|c Susan Cahill.
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|a London ;
|a New York :
|b Continuum International Publishing Group,
|c 2011.
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|c ©2011
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|a 1 online resource (241 pages)
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|a text
|b txt
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|a Continuum Literary Studies Series
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|a Includes bibliographical references and index.
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|a Online resource; title from PDF title page (ebrary, viewed May 14, 2014).
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|a Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Timeline; Introduction: Irish Literature in the Celtic Tiger Years: Gender, Bodies, Memory; Chapter 1 Submerged Histories: Éilís Ní Dhuibhne's The Bray House and The Dancers Dancing; Chapter 2 Corporeal Genealogies: Colum McCann's Songdogs and This Side of Brightness; Chapter 3 Doubles and Dislocations: Anne Enright's The Wig My Father Wore and What Are You Like?; Chapter 4 Embodied Histories: Colum McCann's Dancer and Anne Enright's The Pleasure of Eliza Lynch; Chapter 5 Celtic Tiger Bodies: Éilís Ní Dhuibhne's Fox, Swallow, Scarecrow and Anne Enright's The GatheringConclusion; Notes; Bibliography; Index.
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|a When Irish culture and economics underwent rapid changes during the Celtic Tiger Years, Anne Enright, Colum McCann and Éilís Ní Dhuibhne began writing. Now that period of Irish history has closed, this study uncovers how their writing captured that unique historical moment. By showing how Ní Dhuibhne's novels act as considered arguments against attempts to disavow the past, how McCann's protagonists come to terms with their history and how Enright's fiction explores connections and relationships with the female body, Susan Cahill's study pinpoints common concerns for contemporary Irish writers: the relationship between the body, memory and history, between generations, and between past and present. Cahill is able to raise wider questions about Irish culture by looking specifically at how writers engage with the body. In exploring the writers' concern with embodied histories, related questions concerning gender, race, and Irishness are brought to the fore. Such interrogations of corporeality alongside history are imperative, making this a significant contribution to ongoing debates of feminist theory in Irish Studies.
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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1 |
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|a Enright, Anne,
|d 1962-
|x Criticism and interpretation.
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600 |
1 |
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|a Ní Dhuibhne, Éilís,
|d 1954-
|x Criticism and interpretation.
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600 |
1 |
0 |
|a McCann, Colum,
|d 1965-
|x Criticism and interpretation.
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600 |
1 |
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|a Enright, Anne,
|d 1962-
|2 fast
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1 |
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|a McCann, Colum,
|d 1965-
|2 fast
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1 |
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|a Ní Dhuibhne, Éilís,
|d 1954-
|2 fast
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650 |
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|a English fiction
|x Irish authors
|y 20th century
|x History and criticism.
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650 |
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|a English fiction
|x Irish authors
|y 21st century
|x History and criticism.
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650 |
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|a Roman anglais
|x Auteurs irlandais
|y 20e siècle
|x Histoire et critique.
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650 |
|
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|a Roman anglais
|x Auteurs irlandais
|y 21e siècle
|x Histoire et critique.
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650 |
|
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|a Literary studies: fiction, novelists & prose writers.
|2 bicssc
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|
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|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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|a English fiction
|x Irish authors
|2 fast
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648 |
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|a 1900-2099
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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0 |
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|i Print version:
|a Cahill, Susan.
|t Irish literature in the celtic tiger years 1990 to 2008 : gender, bodies, memory.
|d London; New York : Continuum International Publishing Group, ©2011
|h xv, 210 pages
|k Continuum Literary Studies Series
|z 9780567533821
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|a Continuum literary studies.
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