Equivocal subjects : between Italy and Africa-- constructions of racial and national identity in the Italian cinema /

Equivocal Subjects puts forth an innovative reading of the Italian national cinema. Shelleen Greene argues that from the silent era to the present, the cinematic representation of the "mixed-race" or interracial subject has served as a means by which Italian racial and national identity ha...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Greene, Shelleen (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Continuum, [2012]
Temas:
Racially mixed people in motion pictures.
Race in motion pictures.
Black people in motion pictures.
Motion pictures > Social aspects > Italy.
Motion pictures > Political aspects > Italy.
Métis au cinéma.
Race au cinéma.
Personnes noires au cinéma.
Cinéma > Aspect social > Italie.
Cinéma > Aspect politique > Italie.
European history.
Films, cinema.
Film theory & criticism.
PERFORMING ARTS > Reference.
Black people in motion pictures
Motion pictures
Motion pictures > Political aspects
Motion pictures > Social aspects
Race in motion pictures
Racially mixed people in motion pictures
Africa, North > In motion pictures.
Italy > In motion pictures.
North Africa
Italy
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction
  • From "making Italians?" to envisioning postcolonial Italy
  • Mixed-race relationships in the Italian colonial and postcolonial imaginary
  • Negotiations of interracial identity and citizenship in the post-war cinema and beyond
  • Transatlantic crossings: representing hierarchies of whiteness in the cinema of the economic miracle
  • Zumurrud in her camera: Pier Paolo Pasolini and the global south in contemporary Italian film
  • Conclusion.

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