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Equivocal subjects : between Italy and Africa-- constructions of racial and national identity in the Italian cinema /
Equivocal Subjects puts forth an innovative reading of the Italian national cinema. Shelleen Greene argues that from the silent era to the present, the cinematic representation of the "mixed-race" or interracial subject has served as a means by which Italian racial and national identity ha...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Continuum,
[2012]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Greene, Shelleen, |e author. | |
| 245 | 1 | 0 | |a Equivocal subjects : |b between Italy and Africa-- constructions of racial and national identity in the Italian cinema / |c Shelleen Greene. |
| 264 | 1 | |a New York : |b Continuum, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (328 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes filmography. | ||
| 505 | 0 | |a Introduction -- From "making Italians?" to envisioning postcolonial Italy -- Mixed-race relationships in the Italian colonial and postcolonial imaginary -- Negotiations of interracial identity and citizenship in the post-war cinema and beyond -- Transatlantic crossings: representing hierarchies of whiteness in the cinema of the economic miracle -- Zumurrud in her camera: Pier Paolo Pasolini and the global south in contemporary Italian film -- Conclusion. | |
| 533 | |a Electronic reproduction. |b London : |c Bloomsbury Publishing, |d 2014. |n Available via World Wide Web. |n Access limited by licensing agreement. |5 OrPS | ||
| 520 | 8 | |a Equivocal Subjects puts forth an innovative reading of the Italian national cinema. Shelleen Greene argues that from the silent era to the present, the cinematic representation of the "mixed-race" or interracial subject has served as a means by which Italian racial and national identity have been negotiated and re-defined. She examines Italy's colonial legacy, histories of immigration and emigration, and contemporary politics of multiculturalism through its cultural production, providing new insights into its traditional film canon. Analysing the depiction of African Italian mixed-race subjects from the historical epics of the Italian silent "golden" era to the contemporary period, this enlightening book engages the history of Italian nationalism and colonialism through theories of subject formation, ideologies of race, and postcolonial theory. Greene's approach also provides a novel interpretation of recent developments surrounding Italy's status as a major passage for immigrants seeking to enter the European Union. This book provides an original theoretical approach to the Italian cinema that speaks to the nation's current political and social climate | |
| 532 | 1 | |a Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily | |
| 588 | 0 | |a Description based on online resource; title from PDF title page (viewed September 14, 2020). | |
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Racially mixed people in motion pictures. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Black people in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z Italy. | |
| 650 | 0 | |a Motion pictures |x Political aspects |z Italy. | |
| 651 | 0 | |a Africa, North |x In motion pictures. | |
| 651 | 0 | |a Italy |x In motion pictures. | |
| 650 | 6 | |a Métis au cinéma. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Personnes noires au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect social |z Italie. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z Italie. | |
| 650 | 7 | |a European history. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
| 650 | 7 | |a Film theory & criticism. |2 bicssc | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Black people in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Race in motion pictures |2 fast | |
| 650 | 7 | |a Racially mixed people in motion pictures |2 fast | |
| 651 | 7 | |a North Africa |2 fast | |
| 651 | 7 | |a Italy |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Greene, Shelleen. |t Equivocal subjects : between Italy and Africa-- constructions of racial and national identity in the Italian cinema. |d New York : Continuum, [2012] |h xii, 315 pages ; 24 cm. |z 9781472535214 |w (DLC) 2011038820 |
| 856 | 4 | 0 | |u https://ebsco.uam.elogim.com/login.aspx?direct=true&scope=site&db=nlebk&AN=817588 |z Texto completo |
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