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On Voice.

The essays collected here raise a simple but rarely asked question: just what, exactly, is voice? From this founding question, many others proliferate: Is voice an animal category, as Aristotle thought? Or is it distinctively human? Is it essentially related to language? To music? To song and singin...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bernhart, Walter
Otros Autores: Kramer, Lawrence
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Editions Rodopi, 2014.
Colección:Word and music studies ; 13.
Temas:
Acceso en línea:Texto completo

MARC

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490 1 |a Word and Music Studies ;  |v 13 
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505 0 |a Cover; Title Page; Copyright Page; Contents; On Voice: An Introduction; Her throat, full of aching, grieving beauty: Reflections on Voice in the Operatic Adaptations of The Great Gatsby and Sophie's Choice; The Vocal Persona of Jussi Björling; The Voice of/in Opera; Resonances and Dissonances: Listening to Waltraud Meier's Envoicing of Isolde; From Vox alias Phoné to Voice:A Few Terminological Observations; Indefiniteness, Ethereality, and Unarticulated Meaning:Breath, Music and the Problem of 'Voice' in Poe's Ligeia -- Voice and Vocation in the Novels of George Eliot. 
505 8 |a Voice and Presence in Music and Literature:Virginia Woolf's The WavesThe Mahlerian Mask:On Heine's Voice and Visage in Post-War Germany; Voice and Voices in Oratorios:On Sacred and Other Voices; Schubert's Instrumental Voice:Vocality in Melodic Construction in the Late Works; Composing Voices and Ravel's L'Heure espagnole; La Castrata and the Voices in My Head; Homer Simpson's ""Doh!"":Singsong between Music and Speech; Notes on Contributors. 
520 |a The essays collected here raise a simple but rarely asked question: just what, exactly, is voice? From this founding question, many others proliferate: Is voice an animal category, as Aristotle thought? Or is it distinctively human? Is it essentially related to language? To music? To song and singing? Is it a mark of presence or of absence? Is it a kind of object? How is our sense of voice affected by the development of recording technology? The authors in this volume approach such questions primarily by turning away from a general idea of voice and instead investigating what can be learned by. 
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