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The lock on my lips /
The Lock on My Lips foregrounds gender, narrative and identity in its representations. It tells the story of a woman who defies traditional patriarchal boundaries that deny women their rights, most especially the right to landed property and buys land in her name. Discursive constructions, ëtravell...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
North West Region, Cameroon :
Langaa RPCIG,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Lola, Perpetua Nkamanyang, |e author. | |
| 245 | 1 | 4 | |a The lock on my lips / |c Perpetua Nkamanyang Lola. |
| 264 | 1 | |a North West Region, Cameroon : |b Langaa RPCIG, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (236 pages) | ||
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| 588 | 0 | |a Online resource; title from PDF title page (ebrary, viewed March 29, 2014). | |
| 505 | 0 | |a Cover; Title page; Copyright page; Dedication; The Playwright; Preface & Acknowledgment; Foreword; Characters; The Prologue; ACT I; Scene I -Shey Ghamogha's Sitting-room; Scene II -Shey Ghamogha's Sitting-room; Scene III -Shey Ghamogha's Courtyard; Scene IV -In Manjong Hall; Scene V -In Ability's Room; Scene VI -Shey Ghamogha's Courtyard; ACT II; Scene I -Shey's Sitting-room; Scene II -Mrs Ghamogha's Kitchen; Scene III -Shey Ghamogha's Sitting-room; Scene IV -Shey Ghamogha's Sitting-room; Scene V -In Front of Regular's House; ACT III; Scene I -Shey Ghamogha's Courtyard. | |
| 505 | 8 | |a Scene II -Shey Ghamogha's CourtyardScene III -At the MANDJARA Foundation; Scene IV -Enter Ability and the Vigilante Boys; Scene V -Shey Ghamogha's Sitting Room; Scene VI -At the Road Junction; ACT IV; Scene I -In the Traditional Council; Scene II -At a Bush Path; Scene III -In a Bar; Scene IV -Shey Ghamogha's Courtyard; Scene V -Shey in Deep Introspection; ACT V; Scene I -At a Bush Path; Scene II -Shelley Hallen Johnson's Chambers; Scene III -At the Court of First Instance; POSTSCRIPTS; Back cover. | |
| 520 | |a The Lock on My Lips foregrounds gender, narrative and identity in its representations. It tells the story of a woman who defies traditional patriarchal boundaries that deny women their rights, most especially the right to landed property and buys land in her name. Discursive constructions, ëtravelling conceptsí, metaphors, multiple perspectives, narrative, imagery, folklore, anthropological objects, and mixed-genre plot structure (narrative-(poetic)-drama), combine to tell the story of gendered beings and thus pave the way for exploring the interdisciplinary potentials of the play-text. Land a. | ||
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| 776 | 0 | 8 | |i Print version: |a Lola, Perpetua Nkamanyang. |t Lock on my lips. |d North West Region, Cameroon : Langaa RPCIG, ©2014 |h xv, 215 pages |z 9789956791088 |
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