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Posthumous Love : Eros and the Afterlife in Renaissance England /
For Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven-Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissan...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicago :
University of Chicago Press,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Targoff, Ramie. | |
| 245 | 1 | 0 | |a Posthumous Love : |b Eros and the Afterlife in Renaissance England / |c Ramie Targoff. |
| 260 | |a Chicago : |b University of Chicago Press, |c 2014. | ||
| 300 | |a 1 online resource (258 pages) | ||
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| 505 | 0 | |a Acknowledgments; Introduction: Burying Love; 1. Love after Death in the Protestant Church; 2. Banishing Death: Wyatt's Petrarchan Poems; 3. Dead Ends: The Elizabethan Sonnet; 4. The Capulet Tomb; 5. The Afterlife of Renaissance Sonnets; 6. Carpe Diem; Conclusion. Limit Cases: Henry King and John Milton; Epilogue: "An Arundel Tomb"; Notes; Index. | |
| 520 | |a For Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven-Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
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| 650 | 0 | |a Love poetry, English |x History and criticism |y 17th century. | |
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