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Interpreting Chopin : analysis and performance /
Alison Hood combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin. The specific combination of five aspects distinguishes Hood's method from previous analytical approaches. These five methods are attention to the rhyth...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Surrey, England ; Burlington, Vermont :
Ashgate,
2014.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Hood, Alison |c (Musician) | |
| 245 | 1 | 0 | |a Interpreting Chopin : |b analysis and performance / |c Alison Hood ; foreword by Robert S. Hatten. |
| 264 | 1 | |a Surrey, England ; |a Burlington, Vermont : |b Ashgate, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (257 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Revealing the hidden dimensions. Rhythm ; Foreground emphasis ; Strict use ; Strategy/premise ; Dialogue with performance -- Preludes op. 28. A comparative review of analytical approaches : Prelude no. 5 ; Phrase structure and metric ambiguity : Prelude no. 12 ; Tonal and rhythmic hidden repetition in Prelude no. 14 ; Contour and flux : Prelude no. 16 ; Figuration in Prelude no. 21 ; Ambiguity of tonal meaning : Prelude no. 22 -- Nocturnes. Shared compositional strategies in Chopin's Nocturnes op. 48 ; Intra-opus connections in Chopin's Nocturne op. 27 -- The Barcarolle. Structural coupling in the coda of Chopin's Barcarolle. | |
| 520 | |a Alison Hood combines significant aspects of current analytical approaches and applies that unique synthetic method to selected works by Chopin. The specific combination of five aspects distinguishes Hood's method from previous analytical approaches. These five methods are attention to the rhythms created by pitch events on all structural levels; a detailed accounting of the musical surface; 'strict use' of analytical notation; a continual concern with 'strategies' or 'premises'; and an exploration of how recorded performances might be viewed in terms of analytical decisions, or might even shap. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Preludes, |m piano, |n op. 28. |
| 600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Nocturnes, |m piano, |n op. 48. |
| 600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Nocturnes, |m piano, |n op. 27. |
| 600 | 1 | 0 | |a Chopin, Frédéric, |d 1810-1849. |t Barcarolle, |m piano, |n op. 60, |r F♯ major. |
| 630 | 0 | 7 | |a Barcarolle (Chopin, Frédéric) |2 fast |0 (OCoLC)fst01911785 |
| 630 | 0 | 7 | |a Nocturnes (Chopin, Frédéric) |2 fast |0 (OCoLC)fst01359319 |
| 630 | 0 | 7 | |a Preludes (Chopin, Frédéric) |2 fast |0 (OCoLC)fst01360987 |
| 650 | 0 | |a Piano music |x Analysis, appreciation. | |
| 650 | 6 | |a Piano, Musique de |x Analyse et appréciation. | |
| 650 | 7 | |a MUSIC |x Musical Instruments |x Piano & Keyboard. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Percussion. |2 bisacsh | |
| 650 | 7 | |a Piano music |x Analysis, appreciation. |2 fast |0 (OCoLC)fst01063404 | |
| 700 | 1 | |a Hatten, Robert S. | |
| 776 | 0 | 8 | |i Print version: |a Hood, Alison (Musician). |t Interpreting Chopin : analysis and performance. |d Surrey, England ; Burlington, Vermont : Ashgate, ©2014 |h xx, 236 pages |z 9781409452096 |
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