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Poetic revolutionaries : intertextuality & subversion /
Poetic Revolutionaries is an exploration of the relationship between radical textual practice, social critique and subversion. From an introduction considering recent debates regarding the cultural politics of intertextuality allied to avant-garde practice, the study proceeds to an exploration of te...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam, Netherlands :
Rodopi,
2014.
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| Colección: | Postmodern studies ;
50. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Title Page; Copyright Page; Contents; Acknowledgements; Introduction:The fetishised coupling: poetics and revolution; Chapter One: Jean Genet's transgressive scenography; i. Introduction; ii. Inversion of classical tragedy in Les bonnes/ The Maids; iii. Les paravents/ The Screens; Chapter Two:Monique Wittig's Le corps lesbien/The Lesbian Body; i. Introduction and overview; ii. Macrostructure and salient stylistic features; iii. Détournement; iv. Critical or metatextual parody; v. By way of conclusion.
- Chapter Three:Re-materialising the disappearing body in Angela Carter's TheBloody Chamberi. Introduction; ii. The Bloody Chamber
- iii. Bartered to big cats; iv. Disappearing girls: The Erl-King, The Snow Child and The Lady of the House of Love
- v. Beyond necrophilic consumption; vi. By way of conclusion; Chapter Four:Kathy Acker or Catheter the Hack; i. Introducing aborted identity and the narrative non-sequitur; ii. The unbildungsroman; iii. Losing the plot: textual shattering, interruption, andrepetition; iv. The anti-home, or, having sex with capitalism.
- v. Specifics of textual h/ackering in Blood and Guts in HighSchoolvi. Janey's Genet; vii. By way of inconclusion; Chapter Five:Textual intercourse: Kathleen Mary Fallon's Working Hot; i. Introduction: the context; ii. Manifest subversive features of Working Hot; iii. ""The wound & the message"" as textual intercourse; iv. By way of conclusion; Chapter Six:Kim Scott's Benang: From the Heart; i. Benang, an introduction; ii. The tessellated structure: anti-telos; iii. Assuming abjection; iv. Intertextuality: parody, pastiche and puns; v. Multiplicity: from alone to among.
- Chapter Seven:Radical disorientation in Brian Castro's Shanghai Dancingi. The macrostructural: narrative tessellation or mosaicexpansion; ii. Scenographies of abjection; iii. Intertextuality: mythic makeover, parody, pastiche andpuns; iv. Unsettling multiplicities; v. By of way of conclusion; In guise of conclusion; Appendix: ironic trans-contextualisation in a work ofpostmodern parody; Works cited; Index.