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The Orchestral Music of Michael Tippett : Creative Development and the Compositional Process.
Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2014.
|
| Colección: | Music since 1900.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Schuttenhelm, Thomas. | |
| 245 | 1 | 4 | |a The Orchestral Music of Michael Tippett : |b Creative Development and the Compositional Process. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2014. | ||
| 300 | |a 1 online resource (342 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music Since 1900 | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title page; Series page; Title page; Copyright page; Contents; Figures; Acknowledgements; Abbreviations; Introduction; The creative condition; The creative cycle; Interpreting Tippett; 1 Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4); Symphonic prologues; Becoming a composer; Symphonic Movement (1930-1); Symphony in B-flat (1933-4); 2 Concerto for Double String Orchestra (1938-9); A 'new Einstellung'; Sonata and syzygy: first movement; Separation and estrangement: second movement; Vision -- revision and a new-found confidence: third movement. | |
| 505 | 8 | |a Performance and publication3 Fantasia on a Theme of Handel (1939-41); 'A gay and gaudy work'; A 'continental' fantasia; 4 Symphony No. 1 (1944-5); 'A real symphony . . .'; Absolute conventions and conceptual dimensions: first movement; Love and loss: second movement; The pasts and the present: third movement; A first attempt at the 'finale' problem: fourth movement; 5 Little Music for String Orchestra (1946); Re-prosecution and commissions; Precedents and paradigms; 6 Suite in D (for the Birthday of Prince Charles) (1948); Transcending an occasion; Composition as interpretation: the Suite. | |
| 505 | 8 | |a 7 Fantasia Concertante on a Theme of Corelli (1953)Omaggio al Italia; Composing with essence; 8 Divertimento on 'Sellinger's Round' (1953-4); Constructing conceptual dimensions; Gibbons, Purcell, Bartók, Britten and Sacher: compiling the Divertimento; 9 Piano Concerto (1953-5); A 'poetic work'; An abstracted Marriage: first movement; A posthumous tribute for Newton-Wood: second movement; Vision and revision: third movement; 10 Symphony No. 2 (1956-7); A 'new marriage between conciseness and imagination'; A breakthrough and a breakdown: first movement; New poeticisms: second movement. | |
| 505 | 8 | |a A Stravinskian scherzo: third movementConciseness and imagination: fourth movement; 11 Praeludium for Brass, Bells and Percussion (1962); 'What's past is prologue'; A pièce d'occasion or a necessary prelude?; 12 Concerto for Orchestra (1962-3); Conceptual collage: constructing a new archetype; An experiment in temporalities: first movement; A song for the 'hidden' gods: second movement; Conceptual confrontations: third movement; 13 Symphony No. 3 (1970-2); Spontaneity and measurement; Space and time: Part I; Blues and break: Part II; 14 Symphony No. 4 (1976-7); A birth-to-death experience. | |
| 505 | 8 | |a Attention and antiqueA 'compact' development; A second development; Scherzo and trio; A third development; Recapitulation and Coda; 15 Triple Concerto (1978-9); Lyrical re-awakenings; Echoes and amplifications; Non-music?; Night music; Jazz break; Fifth movement; 16 The Rose Lake (1991-3); Le Lac Rose: a song without words for orchestra; The Lake Song and its frames; Bibliography; Index. | |
| 520 | |a Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 600 | 1 | 0 | |a Tippett, Michael, |d 1905-1998 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Tippett, Michael, |d 1905-1998. |2 fast |0 (OCoLC)fst00003561 |
| 600 | 1 | 7 | |a Tippett, Michael |d 1905-1998 |2 gnd |
| 650 | 0 | |a Orchestral music |z Great Britain |x History and criticism. | |
| 650 | 6 | |a Orchestre, Musique d' |z Grande-Bretagne |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a Orchestral music. |2 fast |0 (OCoLC)fst01047289 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 650 | 7 | |a Orchestermusik |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Schuttenhelm, Thomas. |t Orchestral Music of Michael Tippett : Creative Development and the Compositional Process. |d Cambridge : Cambridge University Press, ©2014 |z 9781107000247 |
| 830 | 0 | |a Music since 1900. | |
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