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Renaissance Shakespeare/Shakespeare Renaissances : Proceedings of the Ninth World Shakespeare Congress /
Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Na...
| Clasificación: | Libro Electrónico |
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| Autor Corporativo: | |
| Otros Autores: | , , , |
| Formato: | Electrónico Congresos, conferencias eBook |
| Idioma: | Inglés |
| Publicado: |
Newark :
University of Delaware Press,
[2014]
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| Colección: | World Shakespeare Congress Proceedings.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Foreword; PART I. RENAISSANCE SHAKESPEARE: INTERPRETATIONS, PERFORMANCE, AND CONTEXTS; Chapter 1. Shakespeare: Man of the European Renaissance; INTERPRETATIONS; Chapter 2. Talbot, Incorporated; Chapter 3. Hamlet and the French Wars of Religion; Chapter 4. Ecology, Evolution, and Hamlet; Chapter 5. The Anticipatory Premise of History in the Reception of Shakespeare's Sonnets; Chapter 6. The Balance of Power in King Lear's Kingdoms; Chapter 7. "Here's a Strange Alteration": Contagion and the Mutable Mind in Coriolanus; Chapter 8. Making Visible: Afterlives in Shakespeare's Pericles.
- Chapter 9. A Legal Assessment of the Circumstantial Evidence in The Winter's TaleChapter 10. Shakespeare's Lost Pastorals; PERFORMANCE; Chapter 11. Shakespeare and Festival; Chapter 12. Using On-Screen Modeling to Examine Shakespearean Stage Performance; Chapter 13. What Are We Doing When We're "Doing Shakespeare"? The Embodied Brain in Theatrical Experience; CONTEXTS; Chapter 14. The Queen of Bohemia's Wedding; Chapter 15. The Puritan Widow and London Parishes; Chapter 16. Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's Cockpit.
- Chapter 17. "A Plague o' These Pickle Herring": From London Drinkers to European Stage ClownPART II. SHAKESPEARE RENAISSANCES: APPROPRIATIONS, ADAPTATIONS, AND AFTERLIVES; Chapter 18. Shakespeare's Theatre of Language: Czech Experience; Chapter 19. Directing Shakespeare: The Cold War Years; APPROPRIATIONS; Chapter 20. Shakespeare's Undiplomatic Readers; Chapter 21. Shakespeare: The Unmaking of a National Poet; Chapter 22. Shakespeare in Habsburg Transylvania; Chapter 23. Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911.
- Chapter 24. "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatreChapter 25. "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist Germany; Chapter 26. The Staging of The Merchant of Venice and Othello by Greek Political Exiles (1951-1953): Shakespeare in Extremis; Chapter 27. Reasoning the Need: Shakespeare Performance in Reunified Berlin; Chapter 28. An Anthropology of Italian Theory: Hamlet in Venice; Chapter 29. Robert Lepage among the Huron-Wendat: An(other) Aboriginal Treatment of La Tempête.
- Chapter 30. Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaChapter 31. The Brazilian Accent of Othello; Chapter 32. Tragedy's Honor, and Ours; ADAPTATIONS; Chapter 33. The Politics of Rape in Nahum Tate's The History of King Lear, 1681; Chapter 34. (Re)Touching: Shakespeare and Cinematic War Narratives; Chapter 35. Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Chapter 36. Singing to Shakespeare in Omkara; Chapter 37. Renegotiating Female Power: Shakespearean Productions in Taiwan, 2000-2010; Chapter 38. Stratford Revisited.